The new call for enries for Kinodot Experimental Film Festivalis now open! The the 6th edition of the festival will take place 2-3.06.2018 in Saint Petersburg, Russia. Experimental films of any length, genre and topic finished not earlier than 15.01.2016 can be submitted.
2nd International festival of short experimental and analog cinema – The Unforeseen17-18. November 2017.Center for cultural decontamination (CZKD), Belgrade
In Light of Moving Images is a series of audiovisual installations exploring lighting on screen at Centrespace Gallery, Bristol UK. (Website)
Traditionally considered the responsibility of a cinematographer, lighting in a filmmaking context usually refers to the arrangement of illumination sources around a location or set to create a specific aesthetic. Expanding this term, lighting can also refer to creative control over the passages of illumination which constitute moving imagery, shaping ways that audiences perceive the frame. This exhibition engages with both facets through spatial projections that weave together light in and of moving imagery while questioning the material tensions of mediated illumination
Dates:
Saturday, November 4, 2017 - 10:00 to Wednesday, November 8, 2017 - 17:55
Traverse Vidéo has launched a call for projects (experimental video, art installations, photography and performances) for its 21st edition which will be held in March 2018 in Toulouse (France). This year's theme is The experimental is already begun?
It is a false question since you are composing experimental work, working on it, desiring it but it’s a question reiterated by those to whom we want to make discover it, to share it, to make love it.
Close-Up presents the final two programmes of Mika Taanila’s London-wide survey, and parallel interventions in sound and silence, featuring Mika Vainio (Pan Sonic) and Erkki Kurenniemi.
Dates:
Friday, October 20, 2017 (All day) to Sunday, October 22, 2017 (All day)
As part of their inaugural festival, pic.london presents a two-day film programme exploring the relationship between still and moving images. Beginning with film’s infancy at the end of the 19th Century – through the 1960s avant-garde – this programme investigates the ways in which artists and theorists have engaged the moving image to develop, challenge and critique photographic language.
Dates:
Saturday, October 28, 2017 (All day) to Sunday, October 29, 2017 (All day)
