The second program of Refle-x-périmental is dedicated to cine-portraits. It proposes an exploration of gestures of cinematographic (self)representation based on multiple intersections of the gaze.

From self-portraits (Snow, Unglee) to family (Schefer, Satake), familiar (Mekas, Baillie), or even domestic (Rey) portraits, along with political portraits (Glowczewska, Schefer), these films question the relationship between the filmmakers and their subjects.