Etiquetas: Wilhelm Hein

Contenido etiquetado

Zin Ex. De la abstracción al algoritmo

By Marcos Ortega on Sáb, 12/09/2020 - 05:49

Si revisamos sus cien años de trayectoria, veremos que el cine experimental ha desafiado rigurosamente las convenciones cinematográficas. Para ir más allá de contar historias, los artistas y directores de cine han examinado las condiciones materiales de su medio, tales como la luz, el movimiento, el celuloide y, tras la llegada de la televisión y el vídeo, las señales electrónicas.
Fechas:
De Viernes, Septiembre 11, 2020 (Todo el día) hasta Domingo, Enero 31, 2021 (Todo el día)
Local:
Tabakalera - San Sebastián, España
What You Imagined It To Be

By Anonymous on Lun, 07/05/2018 - 06:40

Microscope is pleased to welcome artist and curator Caspar Stracke to the gallery for a special program he assembled on the occasion of the 50th anniversary of the May '68 revolts in France and Europe, loosely centered around protest culture in cinema theaters and tracing the ways in which rebellion in the cinema reflected the political climate.

Fechas:
Lunes, Mayo 14, 2018 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos
Birgit Hein x 3

By Marcos Ortega on Lun, 21/08/2017 - 09:32

As a filmmaker, curator, author and teacher, Birgit Hein is one of the most important names of the German experimental film. From the late 1960s to the late 1970s, with her then husband Wilhelm Hein, she made some of the most radical works within the so-called structuralist-materialist tradition, in which the film's illusory qualities were rejected and a study of its materiality was instead put in focus.

Fechas:
Domingo, Agosto 27, 2017 - 18:30
Local:
Swedish Film Institute - Stockholm, Suecia
The German Experimental Film of the Seventies

[Anónimo]. 1980. The German Experimental Film of the Seventies. :48pp.
Structural Film Anthology

Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al.. 1976. Structural Film Anthology. :144pp.
Wilhelm + Birgit Hein - Materialfilme 1968-76
"Film should not be misused for non-filmic messages": Wilhelm and Birgit Hein examine in their films theprocess of reproduction and the film material itself. Rohfilm shows the destruction of the common "film image" and was described by Stephen Dwoskin as a "visual bombing" of shreds, fragments, dirt and leftovers of film editing. Reproductions dissolves photos in greys, 625 films a negative "snow" TV image with different speeds, in Portraits photos are changed by the development and reproduction processes. Materialfilme consists of film starting and ending leaders, the elements of every film that normally are not seen on the screen. W+B Hein's underground film classics deal with the unexplored potentials of the film material which starts to disappear in the digital world.

Valoración:

Promedio: 4 (3 votos)
Categoría:
DVD
Editor:
Edition Filmmuseum
Black Sun Cinema: White Noise

By Marcos Ortega on Mié, 29/08/2012 - 16:24
Black Sun Cinema: White Noise
A film programme curated by Florian Wüst
in association with Sirius Arts Centre, Cobh, and Arsenal – Institute for Film and Video Art, Berlin
Saturday September 22nd 2012, 19h
TDC, Triskel Arts Centre, Tobin St., Cork

Black Sun Cinema is partnering with Cork Film Centre this September 22nd to present a very special evening of experimental films from Berlin’s famous Arsenal archive. We are delighted to welcome Florian Wüst, Berlin-based artist and film curator, who programmed and will present this selection of works with the theme ‘White Noise’.

‘White Noise’ centres on legendary German underground film icons Wilhelm and Birgit Hein and gives Cork audiences the rare opportunity of seeing four of their films.

The programme as a whole reflects the deconstruction of cinema and television not only as a monolithic system of representation and a dream factory, but also as an instrument of corporate power and social control. Images of (human) disfigurement and the mysteries of childhood mix with the penetration of the senses on different levels. The combination of poetic collage, critical analysis, and radical abstraction intends to challenge the emotional as well as physical capacities of the audience. ‘White Noise’ also features works by internationally acclaimed artists and filmmakers: Thorsten Fleisch, Christoph Girardet & Matthias Müller, Sharon Lockhart, Gunvor Nelson, Richard Serra & Carlota Fay Schoolman, and Wolf Vostell.

Where possible, films in this programme will be projected from 16mm film prints.
Categoría:
Eventos