Convocatorias

  • Wavelengths @ TIFF 2008

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    Wavelengths, the avant-garde programme of the Toronto International Film Festival, is currently seeking new works for its 8th edition, to take place over the opening weekend of TIFF from September 5 through 8, 2008. In recent years, this programme has featured works by Peter Hutton, Daichi Saito, Ute Aurand, Heinz Emigholz, among many others, and has become a unique forum for international film and video within the context of a large, international festival.

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  • 25 FPS 2008

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    25 FPS
    INTERNATIONAL EXPERIMENTAL FILM AND VIDEO FESTIVAL
    23 – 28 SEPTEMBER 2008, ZAGREB, CROATIA
    The 4th Edition

    25 FPS REGULATIONS
    25 FPS International Experimental Film and Video Festival is organized by the 25 FPS Association for Audio-visual Research in Zagreb, Croatia.

    CATEGORY
    Short experimental film and video up to 20 minutes.
    25 FPS is looking for works that use conceptual and technological possibilities of film and video; works that relate to the tradition of experimental and avant-garde film making in an innovative way; works that reveal new forms of the moving image.

    DATES
    Deadline for submission: May 1st 2008
    Festival dates: 23 - 28 September 2008
    Selection results: June 15th 2008

    PARTICIPATION
    Works produced after 1st of January 2006 are applicable for the Competition.
    Accepted formats of the preview copies are DVDs.
    The preview tape must be sent together with filled out and signed entry form, including full contact details.
    If the film has dialogue in language other than Croatian or English, the preview tape must be subtitled in English, or accompanied with printed dialogue list.  
    Delivery cost for the preview will be borne by the applicant.
    All preview tapes will be added to the 25 FPS archives and will not be returned.
    Please indicate "For cultural purposes only, no commercial value" outside of the package or you may be required to pay customs duties.
    Send the entry form and preview tape by the 1st of May 2008 to:

    25 FPS
    Poljana Zdenka Mikine 10
    10 000 Zagreb
    Croatia

    Please note: films received in Zagreb after 15th of May will not be considered.

    SELECTION AND SCREENINGS
    The Festival Committee will contact the authors of all selected films by the 15th of June 2008.
    35 mm and 16 mm film, Digital Betacam PAL, Betacam SP PAL are accepted screening formats of selected films.
    The screening copy must be in Zagreb by 10th of September at latest, if it isn't arranged differently.
    Because of the specific nature of the Festival's catalogue, it is required to send 4 or more stills in high resolution JPEG format (300 dpi).
      
    Programmed works may be excerpted (max. 30 sec of running time) for television and other promotional, non-commercial, and educational purposes, and may be screened up to three (3) times during the Festival. Festival Selection Committee has the right to refuse any work which is of a dubious technical condition, and which may cause problems during the screening, including non-PAL formats and DVDs.

    COPIES AND SHIPPING
    All master tapes and film prints will be returned within two weeks after the Festival's ending at Festival’s expense to the address stated in the entry form together with the Festival's catalogue. In case of loss or damage during the period between receipt and return, the responsibility of the Festival is limited to covering the costs of replacement of the print. Any complaint regarding the condition of film prints must be made within 30 days after the date of their return shipment. If sending by the EMS (DHL, Federal Express, UPS...), dispatches must be accompanied by a pro forma invoice amounting to a maximum of 10 EUR or 10 USD.
    All previews will be kept in the Festival's archive and may be consulted at leisure. The organizer undertakes to use these copies exclusively for its own, strictly cultural, educational and non-commercial purposes, educational projects or for Festival's presentations in Croatia or abroad.

    VIDEO LIBRARY
    All preview DVDs submitted for the Competition will automatically be available at the video library for the professionals. If the author doesn't want her/his work to be available in the library, she/he has to specify it in the printed and signed entry form. 

    AWARDS
    1. Three Jury Prizes - Members of the international jury (3) will give three equal cash prizes. Each member of the jury will give one prize. Each prize amounts to 500 Euro.
    2. Croatian Society of Film Critics Award
    3. Audience Award.

    The Festival organizer will send the award to the winning author or producer's address. The Festival organizer will consult them for the precise instructions considering money award transfer.

    OTHER
    Cases not covered by these regulations will be considered directly by the Festival’s Committee in compliance with the regulations of international festivals of short film. In case of litigation, only the courts of the City of Zagreb shall be competent and have jurisdiction.

    CONTACT:
    25 FPS
    POLJANA ZDENKA MIKINE 10
    10 000 ZAGREB, CROATIA
    T: +385 (0)1 37 55 281
    F: +385 (0)1 37 56 335
    E-MAIL: [email protected]
    WEB: www.25fps.hr

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  • Bearded Child Film Festival 2008

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    The Bearded Child Film Festival is gearing up for a whopping '08!

    1.) Call For Entries!

    Taking place during mid-summer, this year's festival will include four days in Minneapolis, plus the usual two days at our home base in rural Grand Rapids, MN. This will be by far the most ambitious Bearded Child to date, with numerous out-of-state filmmakers and special events. Our festival specializes in the "wild, wacky, and/or absurd", but we also showcase a variety of experimental films and even the occasional off-beat doc. We have a "$10 suggested donation" policy, but no media-maker will be turned away due to lack of funds. Entry form and more info at www.beardedchild.com.

    2.) Call for Performers!

    This year's Bearded Child will place an emphasis on live sound/image performances. Experimental musicians and image-makers from Minnesota and nationwide will be invited to perform. If you wish to strut your stuff at the Bearded Child, email [email protected]

    3.) Central States Tour!

    Everyone knows that no place rocks harder than the Midwest! We're taking a condensed version of our festival through the Central States this April, visiting all your favorite towns like Nashville (Indiana),  Harrison (Arkansas), Shreveport (Louisiana), and everywhere in between! The most up-to-date listing of shows is at myspace.com/beardedchildfilmfest

    4.) Invite us to your city or township!

    The Bearded Child is gearing up for a healthy dose of roadway over the coming months! If you are interested in corrupting the minds of your fellow townsmen, we will be more than happy to oblige!

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  • 15th Chicago Underground Film Festival

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    MISSION & OBJECTIVE
    Now in our 15th year, The Chicago Underground Film Festival exists to
    showcase the defiantly independent filmmaker. Our mission is to
    promote films and videos that dissent in form, technique, or content
    from the "indie" film/video mainstream and to present adventurous
    works that challenge and transcend expectations...if you suspect your
    film is "underground," it probably is.

    ABOUT THE FESTIVAL
    "What you get for your money is not just admission to the films but
    admission to a subculture" -- Roger Ebert

    Founded in 1994, The Chicago Underground Film Festival is dedicated to
    the work of film and video makers with defiantly independent visions.
    Unlike many other "independent" film events our goal is not to imitate
    old guard, market-driven festivals such as Sundance. Instead we seek
    to create our own particular niche by presenting an accessible,
    user-friendly showcase for Avant-Garde and cult cinema. CUFF presents
    a wide range of work exploring the many definitions and
    interpretations of the concept of "underground". From alternative
    music films and political agitprop to high camp and formal
    experimentation. We like films that go beyond expectations and genre,
    films made with passion, obsession and drive. As of this year the
    festival is an official program of IFP/Chicago

    The festival offers a complementary mix of independent features,
    shorts, documentaries and experimental films. Panels and workshops
    augment this diverse programming. Of course, we also present nightly
    parties (including our infamous "Take The Filmmakers Bowling" party)
    as well concerts featuring performances by groups such as The
    Ponys,Joan of Arc,Bobby Conn & The Glass Gypsies,Plastic Crimewave
    Sound, The Cheater Slicks, The Demolition Doll Rods, Califone,
    Frontier, Red Red Meat, The Handsome Family,The Wesley Willis Fiasco,
    Maureen Tucker, The Gaza Strippers and the Waco Bros.

    Past programming highlights include the Chicago premieres of Nice
    Bombs by Usama Alshaibi, Danielson - A Family Movie by JL Aronson, The
    Monks- The Transatlantic Feedback by Dietmar Post, LOL by Joe
    Swanberg, We Jam Econo- The Story of the Minutemen by Tim Irwin, Craig
    Baldwin's Sonic Outlaws, Mary Jane's Not A Virgin Anymore by Sarah
    Jacobson, Jim Sikora's Bullet On A Wire, Men Cry Bullets by Tamara
    Hernandez, Kevin DiNovas' Surrender Dorothy, The Decline of Western
    Civilization, Part 3 by Penelope Spheeris, Modulations by Iara Lee,
    American Passport by Reed Paget, Benjamin Smoke by Peter Sillen and
    Jem Cohen, Todd Verow's The Once and Future Queen, Esther Bell's
    Godass, Plaster Caster by Jessica Villines and Montieth McCollum's
    Hybrid.

    In addition, CUFF has consistently honored the history of underground
    and independent cinema by presenting tributes and retrospectives of
    filmmakers such as Tom Palozzolo, Richard Kern, Kenneth Anger, George
    Kuchar, John Waters, Jack Smith, Paul Morrissey, Melvin Van Peebles,
    Doris Wishman, Larry Cohen,Alfred Leslie, Nick Zedd and Alejandro
    Jodorowsky.

    SUBMISSION GUIDELINES
    Entries must be submitted on 1/2" (standard VHS in either NTSC or
    PAL/SEACAM formats) videocassette or NTSC or PAL DVD. Foreign language
    work must be dubbed or subtitled in English.

    ENTRY FEES
    $30 per entry postmarked by May 15, $35 per entry postmarked by June
    16, $40 per entry received by July 15. Entry fees must be in U.S.
    funds only. Checks or money orders should be made out to IFP/Chicago.

    Entry Fees are not required from filmmakers who have screened at CUFF
    in the past.

    SHIPPING
    Cost of shipping exhibition prints to the festival is the
    responsibility of the entrant. Exhibition copies must be sent to the
    festival prepaid. All film reels, cans, videotapes and cases must be
    labeled with the title of the entry. The festival will cover return
    shipping via FedEx or US Mail. The entrant or the recipient must pay
    additional charges for express shipping or transshipments to foreign
    film festivals. The festival cannot accept responsibility for damage
    or loss of materials while in transit. Please use only plastic or
    bubble pack cases when shipping entries. PLEASE DO NOT USE FIBER
    ENVELOPES. FIBER ENVELOPES SUCK AND WILL DAMAGE TAPES AND EQUIPMENT!

    SELECTION AND NOTIFICATION
    Programming decisions are made by the festival directors and our
    selection committee. We will notify filmmakers by email.

    If accepted, the print of your film, or presentation video (DVCam or
    Mini-DV), will need to be in our office by October 1, 2008.

    Be sure to indicate aspect ratio of your film/video as well as any
    other special screening/presentation information we might need to
    know.

    CATEGORIES
    Please select only ONE category for your entry when completing your
    entry form. For our purposes 'feature' refers to films 60 minutes and
    over. 'experimental' refers exclusively for non-narrative,
    non-documentary works. If your film or video contains any form of
    "story," it is advised you enter your piece in the "narrative"
    category. We reserve the right to re-categorize submissions as we deem
    appropriate.

    AWARDS
    Although the art of filmmaking is not competitive, The Chicago
    Underground Film Festival does give awards. The festival jury will
    present awards to films and videos selected as best in these
    categories: Narrative Feature, Narrative Short, Documentary Feature,
    Documentary Short, Experimental, Animation, and "Made in Chicago". An
    Audience Choice award will also be presented.

    RETURN OF SUBMISSION TAPES
    Due to the large number of entries received submission materials and
    videos will not be returned.

    HOW TO CONTACT US
    For more information email us at [email protected] call (312) 235-0161

    mailing address for entries :
    Chicago Underground Film Festival
    c/o IFP/Chicago
    1104 S. Wabash
    Chicago IL 60605

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  • Antimatter Festival 2008

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    Antimatter Underground Film Festival

    Sept 19-27, 2008   Victoria, BC, Canada

    Entry Deadlines: April 16/08 (early); May 30/08 (final).

    New for 2008: no length limit -- more screening formats!

    Eleventh annual international festival seeks imaginative, volatile, entertaining and
    critical films and videos. Dedicated to the exhibition and nurturing of film and video as
    art, Antimatter is the premier showcase of experimental cinema in the west, encompassing
    screenings, installations, performances and hybrid media experiments.

    Criteria: Independent productions, completed after Jan 1/06. Any style or genre.
    Formats: 35mm, 16mm, Super 8, DVCAM, MiniDV, DVD, VHS.
    Preview on DVD (NTSC/PAL) or VHS (NTSC/PAL).
    Entry Fees: $15 (early); $25 (final).

    Also accepting proposals for expanded cinema and media-based performance.

    Contact: Antimatter, 636 Yates Street, Victoria, BC, Canada V8W 1L3
    250 385 3327; [email protected]; www.antimatter.ws

    Complete entry form and guidelines available on our website at http://www.antimatter.ws

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  • TIE 2008

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    TIE seeks films that challenge popular and conventional modes of the
    moving image. From difficult and hand-made films to extraordinarily
    radical and obscure compositions, TIE selects only outstanding
    celluloid cinema from the outer-spaces of contemporary screen-culture.

    If a submitted film is selected, the exhibition print must be film
    (8mm, Super-8, Single-8, 16mm, 35mm). All lengths are considered. Films
    from any era and year of completion are considered. A nominal entry fee
    is required. Films from any country are considered. Films are
    considered on an ongoing basis.

    2008 Submission Form:
    http://experimentalcinema.org/subform2.htm

    TIE, The International Experimental Cinema Exposition
    849 Humboldt Street, #2
    Denver, CO 80218
    USA

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  • PFVAC 2008

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    CALL FOR ENTRIES
    www.pfvac.org

    007: Acts and Actions
    Portland Film + Video Artists Collective
    Zero Station
    7 June 2008

    Postmark deadline 15 March 2008

    The Portland Film + Video Artists Collective will curate a program of film and video
    works that directly address the time-based nature of media. PFVAC seeks single-channel
    works under ten minutes in length that present repeated or sustained gestures, or
    document a change by or through duration. All manner of experimentation is actively
    encouraged. Acts and Actions will screen at Zero Station contemporary art space,
    Portland, Maine, on 7 June 2008.

    An illustrated exhibition catalogue will complement the screening.

    Please submit:
    • Name / address / email / phone
    • Artist statement and bio
    • Works under 10 minutes in length (formats accepted: miniDV, Super 8 silent, 16mm sound
    or silent – miniDV reviewer screeners accepted)
    • Entry fee of $5 per submission
    • SASE for work to be returned; otherwise work will be held for consideration in future
    programs

    Send to:
    PFVAC: Acts and Actions
    c/o Kenneth White
    84 Carleton Street #23
    Portland, Maine 04102
    United States

    Contact: < [email protected] >
    Visit us online: < www.pfvac.org >
    Zero Station online: < www.zerostation.com >

    Acts and Actions is the seventh event of the Portland Film + Video Artists Collective.
    PFVAC formed in July 2006. It is committed to the advancement of film and video as
    personal, experimental art forms through regional and international programming.
    Celebration and preservation of creative freedom is paramount in all actions. PFVAC has
    presented five events thus far, including: Dan Graham visiting artist talk (October
    2007), PFVAC + SPACE: New Projections + Installations (September 2007), Portland -
    Syracuse One Take Super 8 Event with visiting artist Brett Kashmere (April 2007), Peter
    Gruner Shellenberger Retrospective (March 2007), and Premiere Showcase (October 2006).
    006: PFVAC Fresh Works, a DVD compilation of film and video by PFVAC members, is
    scheduled for March 2008 release.

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  • HDFEST 2008 - Looking for HD Experimental Films and Animation

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    HDFEST is now seeking entries of films for its 2008 Festival Events.
    HDFEST 2008 marks the organization's 9th year of celebrating
    High-Definition filmmaking. The festival screens exclusively movies
    shot with Hi-Def or HDV cameras. All festival content is also projected
    using HD technology.  Festival events have been taking place since
    2000. Festivals take place annually in the UK, Finland, New York City,
    Seoul and Los Angeles. HDFEST also includes panels and seminars on
    digital filmmaking and HD technology.

    HDFEST is open to
    submissions of feature films, short films, music videos, animation,
    experimental films and documentaries created using HD or HDV
    technology. All movies must have been completed after January 2006.

    HDFEST
    also gives out the annual HDFEST Deffie Awards recognizing achievement
    in HD independent moviemaking. The Deffie Awards offer prizes of
    filmmaking equipment and software in over 20 categories offered
    exclusively to High-Definition and HDV filmmakers. HDFEST also has a
    unique festival category recognizing achievement in High-Definition
    experimental filmmaking.

     For more information on HDFEST visit http://www.hdfest.com/hdfestsubmit.html   The entry deadline is March 1st, 2008.   Or enter the festival via withoutabox at http://www.withoutabox.com/login/5780  to fill out the entry form online.

    HDFEST HISTORY

    Since
    2000, HDFEST has known that high-def and digital cinema are the future
    of the entertainment industry. Since that time, the festival has been
    at the heart and core of this revolution. HDFEST has been responsible
    for numerous historic digital cinema landmark events and technological
    firsts- check out our festival milestones page http://www.hdfest.com/hdfestmilestones.html
    for details. There have been over 28 HDFEST events in 10 cities
    including LA, NYC, London, Helsinki, Seoul, South Korea and Sydney,
    Australia. Since 2004, HDFEST also has been awarding the annual HDFEST
    Deffie Awards recognizing achievement in HD independent filmmaking.

    HDFEST MISSION

    HDFEST's
    mission is to promote, celebrate and encourage HD and HDV independent
    filmmaking and HD Animation. HDFEST is digital democracy in action.
    High-Def has the potential to level the playing field between the big
    budgets and the indies more than any other technological breakthrough
    since digital video, and perhaps, ultimately even much more.

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  • ATA Film & Video Festival 2008

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    Artists' Television Access calls for submission for its third ATA Film and Video Festival!

    Experimental Shorts
    20 mins and under
    Video, Super 8 and 16 mm
    Preview on VHS, miniDV or DVD
    Deadline: May 15, 2008
    Entry fee: $10

    http://www.atasite.org/festival/

    The ATA Film & Video Festival was founded in 2006 to showcase some of the best short works by independent and experimental film and video artists exhibiting locally, nationally and internationally. The festival includes several nights of screenings and installations in our Mission District storefront gallery and a lunch for the filmmakers. Throughout the year, work from the festival is broadcast to the San Francisco community on ATV, ATA’s weekly cable-access television show, and screened in other national and international venues.

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