Proyecciones

  • Representations of Leaving | Queer Death and heavens

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    These 8 films approach loss and lineages through experimental visual strategies that document rebirths and Queer utopic visions. Calling out a shared invitation to a then and there, leaving behind and moving towards a Queer sublime, the diverse strategies in these films weave together a step out of harm and endings in this time, to something fuller, vaster, and more beautiful.  Curated by Finn Paul.

    Fechas: 

    Domingo, Junio 2, 2019 - 19:30

    Local: 

    Spielberg Theatre at the Egyptian - Los Angeles, Estados Unidos
  • Cineinfinito #90: Marie Louise Alemann

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    Marie Louise Alemann (Renania del Norte-Westfalia, 1927 – Buenos Aires, 2015) fue una cineasta pionera del cine experimental argentino. Entre los años setenta y ochenta se asoció con colegas cineastas como Narcisa Hirsch, Claudio Caldini y Juan José Mugni, entre otros, y desempeñó un papel importante en la promoción de cine experimental en Buenos Aires.

    Fechas: 

    Domingo, Junio 2, 2019 - 18:00

    Local: 

    Círculo de Bellas Artes - Madrid, España
  • Stan Brakhage: An Adventure in Perception

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    Avant-garde filmmaker Stan Brakhage moved to New York in 1954, a stay which culminated in the seminal film Anticipation of the Night. Brakhage broke with the idea that film should record and tell a story acted out for the camera. Here, there is no on-screen protagonist; the protagonist is the director, the images on screen communicate his subjectivity. To do so, Brakhage developed an array of strategies and techniques, including fluid handheld camera movements, rapid editing, and the use of abstract imagery.

    Fechas: 

    Martes, Mayo 28, 2019 - 19:00

    Local: 

    Barbican Cinema - London, Reino Unido
  • Recuerdos Analógicos - El Cine Experimental Húngaro

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    LOOK INSIDE THE GHOST MACHINE (Péter Lichter / Hungría / 2012 / 4’)
    Los primeros cineastas del avant-garde creían que el cine tenía la función de una máquina, creada para gerenar emociones puras.

    Fechas: 

    Jueves, Mayo 23, 2019 - 18:00

    Local: 

    Cineteca Madrid - Madrid, España
  • Contested Grounds: Films by Arthur and Corinne Cantrill

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    Over a period of more than 60 years now, Arthur and Corinne Cantrill have created a filmic cosmos that is unrivaled in its polymorphic experimental visual and tonal abundance. Their works range from documentaries to experimental films, from multi-screen installations to performances and sound art. Between 1971 and 2000, they also edited and published Cantrill Filmnotes, an international journal about experimental film, video and the applied arts. Their oeuvre explores artists, social movements and particularly Australia’s landscape.

    Fechas: 

    Lunes, Junio 3, 2019 (Todo el día)
    Jueves, Junio 6, 2019 (Todo el día)
    Sábado, Junio 8, 2019 (Todo el día)
    Lunes, Junio 10, 2019 (Todo el día)
    Viernes, Junio 14, 2019 (Todo el día)
    Sábado, Junio 15, 2019 (Todo el día)
    Domingo, Junio 23, 2019 (Todo el día)
    Miércoles, Junio 26, 2019 (Todo el día)
    Domingo, Junio 30, 2019 (Todo el día)

    Local: 

  • Radicales libres: Mary Ellen Bute

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    Sesión de cortometrajes de animación de Mary Ellen Bute, pionera de la animación experimental. Sus obras, que exploran la relación entre imagen abstracta y música, se utilizaron como cabecera en algunos de los más prestigiosos cines de Estados Unidos, como el mítico Radio City Music Hall.

    Programa en 16mm del Center for Visual Music.

    Programa:

    Fechas: 

    Sábado, Mayo 25, 2019 - 20:00

    Local: 

  • “La memoria es un territorio en disputa”, programa de Proceso de Error en IVAHM

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    En el marco de International Video Art House Madrid (IVAHM), se realizará la muestra: “La memoria es un territorio en disputa”, programado por Proceso de Error - Festival Internacional de Video Experimental, compuesto de una serie de obras realizadas por autores chilenos:

    Fechas: 

    Sábado, Mayo 25, 2019 - 19:00

    Local: 

    La Neomudejar Arts Center - Madrid, España
  • OffOff Cinema: Spaces of Cinema. Salon of the Ciné-Amateurs

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    Curated by Petra Belç and Kaya Erdinç, the evening explores the works of Yugoslav (amateur) filmmakers who participated in the 1960s Genre Film Festival (GEFF), an experimental arts festival taking place in Zagreb. GEFF was initiated by a series of discussions under the aegis “Antifilm and Us” taking place in the Ciné-club Zagreb. With each new edition, the festival pushed the liberatory and the exploratory potential of cinema to the limit. Everything was allowed, and everything was questioned. The rules had to be broken as the organizers searched for a new vision of the world. Taking cues from the (un)realized performative ideas of the organizers and the structure of GEFF’s programme, Belç and Erdinç will revive its intentions and explore the existing possibilities of their deeply revolutionary and humanist vision.

    Fechas: 

    Sábado, Mayo 25, 2019 (Todo el día)

    Local: 

    Kunsthal Gent - Gent, Bélgica
  • Circle to Sphere: Origins of the Laser Light Show

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    As part of the series Science on Screen, on Friday, May 31 the Museum of the Moving Image will present a rare showcase of films connected to the origins of the popular laser light show that began at the Griffith Observatory in 1973. Spanning 1921 to 2015, this program presents films made with paint, kinetic sculpture, animation, and lasers by abstract film pioneers Jordan Belson, Walter Ruttmann, Thomas Wilfred, and light show pioneers Ivan Dryer and Joshua White.

    Fechas: 

    Viernes, Mayo 31, 2019 - 20:00

    Local: 

    Museum of the Moving Image - Nueva York, Estados Unidos

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