One Minute Volume Seven curated by Kerry Baldry will screen at De La Warr Pavilion as part of a special Dear Serge event, during the Coastal Currents Arts Festival, on Saturday 28th September from 2pm - 9pm in the auditorium projected large on a loop.

One Minute Volume 7 includes work by: John Smith, Rose Butler, Tony Hill, Steven Ball, Alexander Costello, Leister/Harris, Kayla Parker and Stuart Moore, Louisa Minkin, Claire Hope, Max Hattler, Guy Sherwin, Steven Woloshen, Lynn Loo, Lumiere and Son, Tansy Spinks, Gary Peploe and Peter Nutley, Eva Rudlinger, Michael Szpakowski, Zhel (Zeljko Vukicevic) , Matthias Kispert, Stuart Pound, Sellotape Cinema, Alex Pearl, My Name Is Scott, Kerry Baldry, Esther Johnson, Marty St. James, Nicki Rolls, Katherine Meynell, Chris Paul Daniels, Riccardo Iacono, Edwin Rostron, Martin Pickles, Grant Petrey, Annabel Dover, Kelvin Brown

Experimental Film Society is a creative organization founded in Tehran (Iran) in 2000, dedicated to producing and distributing low-budget independent and experimental films, from a dozen filmmakers and artists scattered around the globe. The session will consist of a sample of recent work by its most prolific members: Rouzbeh Rashidi, founder and promoter of the institution, and Maximilian Le Cain, honorary member and exponent of contemporary Irish experimental film. The duo will attend the session and questions from the audience after the screenings.

Filmmakers in attendance.

UCLA Film & Television Archive and the Academy of Motion Picture Arts and Sciences present
Billy Wilder Theater in Westwood Village
10899 Wilshire Blvd., Los Angeles, CA 90024

Without question one of cinema’s most influential and prolific artists, Stan Brakhage (1933-2003) created a monumentally significant and expressive body of work that spanned 50 years and over 350 films. For five decades, Brakhage worked in a highly distinctive, individualistic vein, mining celluloid cinema and--at least in his hands--its seemingly limitless potential for the articulation of raw subjective experience and pre-linguistic vision. The Academy Film Archive has been actively preserving and restoring Brakhage’s body of work since his collection was deposited there in 2004. In a career loaded with countless visionary works, Brakhage’s The Pittsburgh Documents (often called The Pittsburgh Trilogy) are a trio of acknowledged masterworks, and represent a radical approach to the concept of a cinematic document (as opposed to documentary) rooted in subjective observation. By training his eyes and the film medium on three subjects he felt were elusive, inscrutable, even fearful in their universality, Brakhage sought to gain some empathic foothold--if not an understanding--in these realms of authority (police), illness (hospital) and death (morgue).

Short Cuts V: Resilient Structures
Thursday February 25, at 6pm
Northwest Film Center
Whitsell Auditorium, 1219 SW Park Avenue, 97205 Portland, OR, USA
Co-Presented with the Northwest Film Center