Films by Kenneth Anger + Ivan Zulueta

- Invocation of My Demon Brother (Kenneth Anger, 16mm, 11 min., 1969)
- Arrebato (Rapture) (Iván Zulueta, 35mm on video, 105 min., 1980)

Starring Mick Jagger (who also composed its score), His Satanic Majesty Anton LaVey, and Manson Family member Bobby Beausoleil, Kenneth Anger has described Invocation of My Demon Brother as "an attack on the sensorium."

Rarely screened on these shores, Iván Zulueta's sex and drugs filled cult classic Arrebato (Rapture) is legendary in Spain, where it launched a cinematic revolution, inspiring filmmakers like Pedro Almodóvar (who can be heard in an uncredited dubbing- as the voice of a female character). "He never filmed a single banal image," Almodóvar would later write of Zulueta, describing Zulueta's work as "David Lynch, but less shadowy and more pop." Mixing genre and experimental filmmaking, Arrebato tells the story of a hack horror director and heroin junky who becomes consumed by the vampiric apparatus of cinema. Introduced by Clara López.

To mark the launch of two new LUX DVD releases (Guy Sherwin - Short Film Series 1975 - 2014 and Nicky Hamlyn - Selected Works 1974 – 2012) LUX presents a special evening of screening and conversation with two of the UK's most renowned artist filmmakers, Guy Sherwin and Nicky Hamlyn. Each will present a personal selection of the other's films and together they will discuss their work and practices within wider British artists' moving image over the past 40 years.

The new DVDs and other LUX publications will be available for a special launch price on the night.

Szenario, a collaboration of the filmmakers Philip Widmann and Karsten Krause appears to be a documentation about a love affair; a chronicle of 3 months in fall 1970, when a married man called Hans starts an affair with his secretary, called Monica, also married. The main character of the film could be called “the suitcase”, though, a collection of notes, photographs, tickets and other papers from a suitcase, apparently collected by “him”, the male lover. The notes conof diary entries, where Hans meticulously wrote down every date he met with Monica, how long they had sex, and in which position they had intercourse. He also added to the record the places and circumstances they met, yet and always in the spare lasistnguage of a book keeper or bank clerk. The typewritten notes are spoken by a female voice, while the film images show passages of urban landscape of Köln, mostly slow tracking shots, some of them from car, and both at night and at day time.