Screenings

VISIONS | 15.02.18 | LESLIE SUPNET

By Benjamin Taylor on Mon, 05/02/2018 - 15:10

VISIONS, in collaboration with la lumière collective, presents:

Leslie Supnet: The Peak Experience[Programme & works by Leslie Supnet]

Dates:
Thursday, February 15, 2018 - 20:00 to Friday, February 16, 2018 - 19:55
Venue:
la lumière collective - Montréal, Canadá
Light Movement 27: Luke Fowler

By Marcos Ortega on Mon, 05/02/2018 - 08:37

Over the past 15 years, British artist, filmmaker and musician Luke Fowler has developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education.
Dates:
Tuesday, February 13, 2018 - 20:30
Venue:
SPEKTRUM - Berlin, Germany
Radicales libres - Su Friedrich: (New) Rules on the Road

By Marcos Ortega on Fri, 02/02/2018 - 04:56

Programme:- First Comes Love (Su Fiedrich, 1991, 16mm, 22min)- Sink or Swim (Su Fiedrich, 1990, 16mm, 48min)

Introduced by Elena Oroz, Ph.D., Professor at the Universidad Carlos III de Madrid.

Dates:
Saturday, February 3, 2018 - 20:00 to Sunday, February 4, 2018 - 19:55
Venue:
Filmoteca Española - Cine Doré - Madrid, España
Ignacio Tamarit / European tour

By Marcos Ortega on Thu, 01/02/2018 - 06:20

Argentinian filmmaker Ignacio Tamarit is coming to Europe! He will show his work and - in selected venues - a programme of contemporary Argentine cameraless films, featuring works by Ernesto Baca, Julio Fermepin, Federico Lanchares, Pablo Marin, Pablo Mazzolo, Manu Reyes, Leonardo Zito and Jeff Zorrilla.

Confirmed screenings:
Dates:
Saturday, February 3, 2018 (All day)
Saturday, February 10, 2018 (All day)
Tuesday, February 13, 2018 (All day)
Friday, February 16, 2018 (All day)
Sunday, February 18, 2018 (All day)
Xcèntric: Pat O’Neill. Optical compositions

By Marcos Ortega on Wed, 31/01/2018 - 08:37

Pat O’Neill is an inspirational figure on the Los Angeles avant-garde film scene. Considered a master and innovator in his use of the optical printer, the unexpected compositions and cinematographic landscapes that make up his cinema are the fruit of his pioneering, virtuoso artisan work which, in contrast with the digital age, strongly reveals its visual and chromatic intensity.
Dates:
Thursday, February 1, 2018 - 19:30
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, Spain
BLITZ #9: The Uncertain Archive

By Marcos Ortega on Tue, 30/01/2018 - 15:53

A screening series of film/video artists who subvert the codes of mass-media, oftening appropriating found footage. These works question and rewrite the visual archives that form our perception of authority, gender, space, and history. Curated by Alison Nguyen. Approx. run time: 72 minutes.

Featured artists: Ololade Adeniyi, Peggy Ahwesh, Bradley Eros, Timothy Geraghty, Scott Kiernan, Brian Murphy, Alison Nguyen, Sabrina Ratté, Lily Jue Sheng, Soda_Jerk, Leslie Thornton, X-PRZ

Programme:
Dates:
Tuesday, January 30, 2018 - 21:00 to Wednesday, January 31, 2018 - 20:55
Venue:
Zumzeig Cinema - Barcelona, Spain
Essay Film Festival Prelude 1: The Cinema of Stephen Dwoskin and Trying to Kiss the Moon

By Anonymous on Fri, 26/01/2018 - 11:22

Birkbeck Institute for the Moving Image in collaboration with Reading School of Art presentsEssay Film Festival Prelude 1: The Cinema of Stephen Dwoskin and Trying to Kiss the Moon

This screening and discussion provides an introduction to the work of Stephen Dwoskin through his autobiographical montage-film Trying to Kiss the Moon (1994, 95min) and Anna Ambrose’s portrait The Cinema of Stephen Dwoskin (1984, 60min),

Dates:
Saturday, February 10, 2018 - 13:00 to 17:30
Venue:
Birkbeck Cinema - London, Reino Unido
Xcèntric: The written screen. The films of Michele Fleming

By Marcos Ortega on Wed, 24/01/2018 - 10:19

Michele Fleming’s films bring together most of the artistic disciplines with which she worked and combine the rhythmic observation of the world around her with references to other films and, most of all, a multitude of books; they feature work with the text on screen, portrayals of bodies and the alternating superimposition of colour and black and white.
Dates:
Thursday, January 25, 2018 - 19:30
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, Spain
New Beginnings: Works by Peggy Ahwesh, Sadie Benning, Nina Fonoroff

By Marcos Ortega on Mon, 22/01/2018 - 11:51

New Beginnings for the New Year features a selection of Sadie Benning’s proto-riot grrl PXLvision cine-confessions, Peggy Ahwesh’s documentary-styled verité melodrama Martina’s Playhouse (1989) and Nina Fonoroff’s The Accursed Mazurka (1994), an epic collage consideration of spiraling mental illness, recovery and identity.
Dates:
Thursday, January 25, 2018 - 19:30
Venue:
Artists' Television Access - San Francisco, United States
Directors Lounge Screening: Clara Bausch - Momentum

By Klaus W. Eisenlohr on Sun, 21/01/2018 - 17:29

Observations through the camera combined in different ways create new realities. Clara Bausch, who is born in Berlin and lives here as artist, strictly works with analogue images in her films, installations and photography. She studied Fine Arts at UdK Berlin and is co-founder of Labor Berlin. It is the ordinary, simple things in life that capture her attention. And it is the combinations of impressions, occurrences and images that create reality. The new realities that Clara Bausch creates in her art work are by no means out of this world.
Dates:
Thursday, January 25, 2018 - 21:00 to Friday, January 26, 2018 - 20:55
Venue:
Z-Bar, Berlin - Berlin, Germany