This one-hour program presents fifteen experimental shorts that focus on recontextualizing found or archival footage via algorithmic intervention. The work presented in the Retracted Cinema program use the appropriated film material itself as the site and means of auto-recontextualisation. Inspired by tendencies within conceptual art and Oulipo, the results are achieved by applying a set of rules or constraints (an algorithm) that governs a repeatable (iterative) array of transformations.