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Maria Lassnig: Film Works
Maria Lassnig (1919–2014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her body awareness visible, found additional expression in the films she made in New York in the early 1970s. And what films they are! Influenced by painting, but also by U.S. experimental film, the feminist movement, animation, and her new hometown of New York, Lassnig created a remarkable body of radically independent short films in just a few years.
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L'émulsion Fantastique: Le Cinéma Selon Cécile Fontaine
"I like working with film's materiality - the object becomes a material that I transform with non-filmic tools. Like an explorer, I have a go at the surfaces of film prints that I find or that are given to me: films of all genres, formats and origins. I transform their textures, colors and images by subjecting them to chemical reactions caused by various household products, creating new hybrid film objects through collage and recomposition, following motifs inspired by the original sources."
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26,90 EURCategoría:
Imprints: The Films of Louise Bourque
Imprints is a collection of essays, interviews, ephemera, and personal reflections that chart Louise Bourque’s life and work. Since 1989, Bourque has made a significant mark on Canadian experimental cinema. Her works often involve the physical manipulation of emulsion, with the content of the work stemming from a different type of imprint, namely, that of memory and trauma, and her aesthetics are imprinted on the work of contemporary filmmakers dealing with memorial processes and abstract imagery.
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20 USDCategoría:
The Poetics of Poetry Film
Set to generate and influence discussions in the field for years to come, this is an encyclopaedic work on the ever-evolving genre of poetry film. It will set the benchmark for all subsequent works on the subject. As well as being the first book of its kind, this will be a multi-platform project, with users to view the poetry films on a related website and an app planned to accompany the book.
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Paperback - 40 GBPEbook - 32 GBPCategoría:
Cecile Starr and Experimental Animation
Cecile Starr (1921-2014) dedicated her life to the recognition of film as a visual art. She worked, as a writer, educator, and curator, to raise awareness of experimental film in general and women film artists in particular.
This book includes her contributions to Experimental Animation, originally published in 1976, as well as a collection of her other writing on the historical roots of avant-garde film. It is prefaced by the personal reflections of a number of artists and curators on her impact on their lives.
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9.99 USDCategoría:
The Author As Producer Of Nothing
The book includes the first publication of Gidal's text from 1978, with a new introduction. Gidal in this dense theoretical essay deals with the limits of language and representation in the practice of experimental filmmaking and writing. Considered as one of the most influential experimental filmmakers, Gidal's lost text “The Author as Producer of Nothing”, will give a new insight into the theoretical and political context to the artistic film practices.
Afterword by Sezgin Boynik. Design by Ott Kagovere.
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14 EURCategoría:
Expanded Visions: A New Anthropology of the Moving Image
This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology.
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Paperback - 34,99 GBPHardback - 120 GBPEbook - 34,99 GBPCategoría:
Agir le cinéma: Écrits sur le cinéma expérimental (1979-2020)
An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.
Yann Beauvais (born 1953 in France), as a teacher in United States, became conscious of the need to lead a "cultural battle".
Precio:
38 EURCategoría:
Peggy Ahwesh: Vision Machines
Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.
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18 EURCategoría:
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