Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
Tan sólo el empeño de unos pocos y su pasión por el mundo explica que el cine experimental tenga en España manifestaciones extraordinarias, a pesar de las adversidades que ha conocido, en su producción, distribución y hasta hace bien poco, para ser considerado en el ámbito artístico.
“Ottimismo Democratico" (Democratic Optimism) is a video-itinerary of short films by Flavia Mastrella and Antonio Rezza created and produced between 1990 and 1999. A constant feature is the presence of Antonio Rezza 's tragic-catastrophic figure and (hypnotic) voice. The events tell of a culture in decadence.
Having learnt from experimental and vanguard cinema, as well as contemporary music, Roberto Nanni is constantly looking for a synthesis between a visual and audio language which can with rare non-chalance confuse documentation and abstractism. An emotional deconstruction that questions every type of language and refuses conventional narration.
The book brings together notes, photos, sketches, precious testimonies of his research and of his intimate knowledge of technical and expressive means, as well as Stefano Catucci and Bruno Di Marino's critical texts.
Cindy was asleep under a maple tree/ Rolled over and said to me/ I dreamt of Air Cries/ I turned over, we were lying on the the/ dry cracked mud of a river bed/ Empty Water/ Puppies, Air Cries Only/ They don't make a sound/ My eyes on fire with nothing/ to quell them/ A piece of steel in the heart/ Misery loves company
RE:FRAME is a selection of seven films from a contemporary cinema, removed from Bollywood, that testifies to the richness of creativity in India. Oscillating between documentary, video art, experimental film, and animation, this compilation explores the means with which the texture of memory is incorporated within postcolonial Indian society's individual journeys as well as its national psyche; within private circles as well as public spaces. It allows for contrasting points of view regarding the country's sitiuation and its unanswered question: when the past has yet to catch up with the present, is it a threat or an alternative to the present?
Directed in 1927 by Germaine DULAC and scripted by Antonin Artaud, The Seashell and the Clergyman is generally considered to be the first Surrealist film: a key element of French cultural heritage. This box set is all the more welcome for the fact that th
Filmed in Baja California where the desert sun meets the Pacific Ocean and the Gulf. A rusting shipwreck on the rocks outside of Cabo San Lucas in 1972 provides a central and poignant metaphor for a macro-psychedelic and micro-expressionistic exploration
In the late 1960s I met Stan Brakhage when he attended a screening by local filmmakers in San Francisco. Afterwards he expressed an enthusiasm for trading some of his own 8 mm Songs for a print of my 8 mm film “Love Must Love”. We started a correspondenc
By the late 1960s I moved from Berkeley to San Francisco where I met other like- minded artists and experimental filmmakers. It was the era of intense outrage against the war in Viet Nam, psychedelics, and interest in Eastern mysticism.
|
Esta página web no es una tienda. Las publicaciones aquí listadas lo son únicamente para información y referencia. Cuando la publicación sea de distribución limitada se incluirán enlaces a puntos de venta. |
