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  • Cecile Starr and Experimental Animation

    Cecile Starr (1921-2014) dedicated her life to the recognition of film as a visual art. She worked, as a writer, educator, and curator, to raise awareness of experimental film in general and women film artists in particular.

    This book includes her contributions to  Experimental Animation, originally published in 1976, as well as a collection of her other writing on the historical roots of avant-garde film. It is prefaced by the personal reflections of a number of artists and curators on her impact on their lives.

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    9.99 USD

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  • The Author As Producer Of Nothing

    The book includes the first publication of Gidal's text from 1978, with a new introduction. Gidal in this dense theoretical essay deals with the limits of language and representation in the practice of experimental filmmaking and writing. Considered as one of the most influential experimental filmmakers, Gidal's lost text “The Author as Producer of Nothing”, will give a new insight into the theoretical and political context to the artistic film practices.

    Afterword by Sezgin Boynik. Design by Ott Kagovere.

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    14 EUR

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  • Expanded Visions: A New Anthropology of the Moving Image

    This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology.

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    Paperback - 34,99 GBP
    Hardback - 120 GBP
    Ebook - 34,99 GBP

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  • Agir le cinéma: Écrits sur le cinéma expérimental (1979-2020)

    An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

    Yann Beauvais (born 1953 in France), as a teacher in United States, became conscious of the need to lead a "cultural battle".

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    38 EUR

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  • Peggy Ahwesh: Vision Machines

    Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

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    18 EUR

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  • Leslie Thornton

    Produced on the occasion of Leslie Thornton’s major solo exhibition at the MIT List Visual Arts Center as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume is the first monograph on this important artist and filmmaker, offering essential, foundational scholarship on Thornton’s influential work in film and video.

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    28 EUR

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  • The Afterimage Reader

    The independent British film journal Afterimage published thirteen issues between 1970 and 1987. International in scope, it surveyed the many forms of radical cinema during an extraordinary period of film history. Having emerged in the wake of post-1968 cultural and political change, Afterimage charted contemporary developments with special issues on themes such as the avant-garde, Latin American cinema and visionary animation, and also looked back at early film pioneers.

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    25 GBP

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  • Landscape and the Moving Image

    New exploration of how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists’ film and video and draws on work from the 1970s to the present day. An informed, personal view from a high profile author considering if appreciation of nature’s aesthetics undermines commitment to ecology.

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    Paperback - 28 GBP
    Hardback - 95 GBP
    Ebook - 24 GBP

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  • Feminist Worldmaking and the Moving Image

    This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.

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    34 EUR

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  • Alia Syed: Imprints, Documents, Fictions

    Published by Courtisane festival in collaboration with Open City Documentary Festival, Alia Syed: Imprints, Documents, Fictions (ed. ) is the first monograph to be devoted to Syed’s work and features new essays by Jemma Desai, Inga Fraser, Peter Gidal, Rahila Haque, Salima Hashmi, Anjana Janardhan, Ruth Noack and Henrietta Williams, as well as writing by Syed herself.

    Launched at Courtisane festival 2023.

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    12 EUR

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