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I Seem to Live: The New York Diaries. vol. 1, 1950-1969
I Seem to Live. The New York Diaries, 1950–2014 is Jonas Mekas’s key literary work. The first volume of this magnum opus, covering the period from 1950-69, appears posthumously one year after his death. It stands on an equal footing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded Film Culture magazine, and in 1958 Jonas began writing a weekly column for The Village Voice.
Precio:
38 EURCategoría:
Germaine Dulac - Writings on Cinema
Edited by Prosper Hillairet, this new English translation brings together the principal texts, interviews, and speeches by the pioneering filmmaker and feminist Germaine Dulac (1882 1942), a major figure in the history of experimental film
Links are provided to many of the key films mentioned by Dulac.
Writings on Cinema is available
Precio:
10 EURCategoría:
Standish Lawder and The Cubist Cinema
Standish Lawder was a film artist and an art historian. This book is an attempt both to appreciate Lawder as an artist and to make his singular achievement as an art historian more available.
Two essays on his films accompany the complete text of his pioneering study of the European avant-garde of the 1920s, The Cubist Cinema.
Precio:
10 EURCategoría:
Meditaciones sobre el presente. Ute Aurand, Helga Fanderl, Jeannette Muñoz y Renate Sami
Las cineastas alemanas Ute Aurand, Helga Fanderl y Renate Sami y la chilena Jeannette Muñoz son las protagonistas del libro que se publicará en la 14ª edición de Punto de Vista. Su trabajo, en la tradición del cine de vanguardia y experimental, ha sido reconocido en prestigiosos festivales de cine internacionales como Berlín, Oberhausen, Nueva York y Róterdam.
Precio:
25 EURCategoría:
Fields of View - Film, Art and Spectatorship
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day.
Precio:
Paperback - 29.99 GBPHardback - 95 GBPEbook-PDF - 26.99 GBPCategoría:
Cinema Expanded - Avant-Garde Film in the Age of Intermedia
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.
Precio:
39,95 USDCategoría:
Experimental Film and Photochemical Practices
This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention.
Precio:
Ebook - 66,99 EURHardcover - 83,19 EURCategoría:
Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s
Intermedia and Expanded Cinema, both as critical approach and artistic practice, left an indelible mark in a period of Japanese art history that is broadly considered to be one of its most dynamic moments in the wake of its postwar reemergence.
Despite the burgeoning interest in academic and curatorial circles in this segment of Japanese art history, the paucity of readily available material in a language other that Japanese has meant the local context, particularly the ways in which the terms were critically debated, was relatively neglected.
Precio:
15 EURCategoría:
Michael Snow - Cover to Cover
"Michael Snow has challenged the reader’s/viewer's notion of a book, indeed one's very notion of perception." - Benjamin Buchloh
Precio:
30 USDCategoría:
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