Calls for entries

  • Bearded Child Film Festival 2008

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    The Bearded Child Film Festival is gearing up for a whopping '08!

    1.) Call For Entries!

    Taking place during mid-summer, this year's festival will include four days in Minneapolis, plus the usual two days at our home base in rural Grand Rapids, MN. This will be by far the most ambitious Bearded Child to date, with numerous out-of-state filmmakers and special events. Our festival specializes in the "wild, wacky, and/or absurd", but we also showcase a variety of experimental films and even the occasional off-beat doc. We have a "$10 suggested donation" policy, but no media-maker will be turned away due to lack of funds. Entry form and more info at www.beardedchild.com.

    2.) Call for Performers!

    This year's Bearded Child will place an emphasis on live sound/image performances. Experimental musicians and image-makers from Minnesota and nationwide will be invited to perform. If you wish to strut your stuff at the Bearded Child, email [email protected]

    3.) Central States Tour!

    Everyone knows that no place rocks harder than the Midwest! We're taking a condensed version of our festival through the Central States this April, visiting all your favorite towns like Nashville (Indiana),  Harrison (Arkansas), Shreveport (Louisiana), and everywhere in between! The most up-to-date listing of shows is at myspace.com/beardedchildfilmfest

    4.) Invite us to your city or township!

    The Bearded Child is gearing up for a healthy dose of roadway over the coming months! If you are interested in corrupting the minds of your fellow townsmen, we will be more than happy to oblige!

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  • 15th Chicago Underground Film Festival

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    MISSION & OBJECTIVE
    Now in our 15th year, The Chicago Underground Film Festival exists to
    showcase the defiantly independent filmmaker. Our mission is to
    promote films and videos that dissent in form, technique, or content
    from the "indie" film/video mainstream and to present adventurous
    works that challenge and transcend expectations...if you suspect your
    film is "underground," it probably is.

    ABOUT THE FESTIVAL
    "What you get for your money is not just admission to the films but
    admission to a subculture" -- Roger Ebert

    Founded in 1994, The Chicago Underground Film Festival is dedicated to
    the work of film and video makers with defiantly independent visions.
    Unlike many other "independent" film events our goal is not to imitate
    old guard, market-driven festivals such as Sundance. Instead we seek
    to create our own particular niche by presenting an accessible,
    user-friendly showcase for Avant-Garde and cult cinema. CUFF presents
    a wide range of work exploring the many definitions and
    interpretations of the concept of "underground". From alternative
    music films and political agitprop to high camp and formal
    experimentation. We like films that go beyond expectations and genre,
    films made with passion, obsession and drive. As of this year the
    festival is an official program of IFP/Chicago

    The festival offers a complementary mix of independent features,
    shorts, documentaries and experimental films. Panels and workshops
    augment this diverse programming. Of course, we also present nightly
    parties (including our infamous "Take The Filmmakers Bowling" party)
    as well concerts featuring performances by groups such as The
    Ponys,Joan of Arc,Bobby Conn & The Glass Gypsies,Plastic Crimewave
    Sound, The Cheater Slicks, The Demolition Doll Rods, Califone,
    Frontier, Red Red Meat, The Handsome Family,The Wesley Willis Fiasco,
    Maureen Tucker, The Gaza Strippers and the Waco Bros.

    Past programming highlights include the Chicago premieres of Nice
    Bombs by Usama Alshaibi, Danielson - A Family Movie by JL Aronson, The
    Monks- The Transatlantic Feedback by Dietmar Post, LOL by Joe
    Swanberg, We Jam Econo- The Story of the Minutemen by Tim Irwin, Craig
    Baldwin's Sonic Outlaws, Mary Jane's Not A Virgin Anymore by Sarah
    Jacobson, Jim Sikora's Bullet On A Wire, Men Cry Bullets by Tamara
    Hernandez, Kevin DiNovas' Surrender Dorothy, The Decline of Western
    Civilization, Part 3 by Penelope Spheeris, Modulations by Iara Lee,
    American Passport by Reed Paget, Benjamin Smoke by Peter Sillen and
    Jem Cohen, Todd Verow's The Once and Future Queen, Esther Bell's
    Godass, Plaster Caster by Jessica Villines and Montieth McCollum's
    Hybrid.

    In addition, CUFF has consistently honored the history of underground
    and independent cinema by presenting tributes and retrospectives of
    filmmakers such as Tom Palozzolo, Richard Kern, Kenneth Anger, George
    Kuchar, John Waters, Jack Smith, Paul Morrissey, Melvin Van Peebles,
    Doris Wishman, Larry Cohen,Alfred Leslie, Nick Zedd and Alejandro
    Jodorowsky.

    SUBMISSION GUIDELINES
    Entries must be submitted on 1/2" (standard VHS in either NTSC or
    PAL/SEACAM formats) videocassette or NTSC or PAL DVD. Foreign language
    work must be dubbed or subtitled in English.

    ENTRY FEES
    $30 per entry postmarked by May 15, $35 per entry postmarked by June
    16, $40 per entry received by July 15. Entry fees must be in U.S.
    funds only. Checks or money orders should be made out to IFP/Chicago.

    Entry Fees are not required from filmmakers who have screened at CUFF
    in the past.

    SHIPPING
    Cost of shipping exhibition prints to the festival is the
    responsibility of the entrant. Exhibition copies must be sent to the
    festival prepaid. All film reels, cans, videotapes and cases must be
    labeled with the title of the entry. The festival will cover return
    shipping via FedEx or US Mail. The entrant or the recipient must pay
    additional charges for express shipping or transshipments to foreign
    film festivals. The festival cannot accept responsibility for damage
    or loss of materials while in transit. Please use only plastic or
    bubble pack cases when shipping entries. PLEASE DO NOT USE FIBER
    ENVELOPES. FIBER ENVELOPES SUCK AND WILL DAMAGE TAPES AND EQUIPMENT!

    SELECTION AND NOTIFICATION
    Programming decisions are made by the festival directors and our
    selection committee. We will notify filmmakers by email.

    If accepted, the print of your film, or presentation video (DVCam or
    Mini-DV), will need to be in our office by October 1, 2008.

    Be sure to indicate aspect ratio of your film/video as well as any
    other special screening/presentation information we might need to
    know.

    CATEGORIES
    Please select only ONE category for your entry when completing your
    entry form. For our purposes 'feature' refers to films 60 minutes and
    over. 'experimental' refers exclusively for non-narrative,
    non-documentary works. If your film or video contains any form of
    "story," it is advised you enter your piece in the "narrative"
    category. We reserve the right to re-categorize submissions as we deem
    appropriate.

    AWARDS
    Although the art of filmmaking is not competitive, The Chicago
    Underground Film Festival does give awards. The festival jury will
    present awards to films and videos selected as best in these
    categories: Narrative Feature, Narrative Short, Documentary Feature,
    Documentary Short, Experimental, Animation, and "Made in Chicago". An
    Audience Choice award will also be presented.

    RETURN OF SUBMISSION TAPES
    Due to the large number of entries received submission materials and
    videos will not be returned.

    HOW TO CONTACT US
    For more information email us at [email protected] call (312) 235-0161

    mailing address for entries :
    Chicago Underground Film Festival
    c/o IFP/Chicago
    1104 S. Wabash
    Chicago IL 60605

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  • Antimatter Festival 2008

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    Antimatter Underground Film Festival

    Sept 19-27, 2008   Victoria, BC, Canada

    Entry Deadlines: April 16/08 (early); May 30/08 (final).

    New for 2008: no length limit -- more screening formats!

    Eleventh annual international festival seeks imaginative, volatile, entertaining and
    critical films and videos. Dedicated to the exhibition and nurturing of film and video as
    art, Antimatter is the premier showcase of experimental cinema in the west, encompassing
    screenings, installations, performances and hybrid media experiments.

    Criteria: Independent productions, completed after Jan 1/06. Any style or genre.
    Formats: 35mm, 16mm, Super 8, DVCAM, MiniDV, DVD, VHS.
    Preview on DVD (NTSC/PAL) or VHS (NTSC/PAL).
    Entry Fees: $15 (early); $25 (final).

    Also accepting proposals for expanded cinema and media-based performance.

    Contact: Antimatter, 636 Yates Street, Victoria, BC, Canada V8W 1L3
    250 385 3327; [email protected]; www.antimatter.ws

    Complete entry form and guidelines available on our website at http://www.antimatter.ws

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  • TIE 2008

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    TIE seeks films that challenge popular and conventional modes of the
    moving image. From difficult and hand-made films to extraordinarily
    radical and obscure compositions, TIE selects only outstanding
    celluloid cinema from the outer-spaces of contemporary screen-culture.

    If a submitted film is selected, the exhibition print must be film
    (8mm, Super-8, Single-8, 16mm, 35mm). All lengths are considered. Films
    from any era and year of completion are considered. A nominal entry fee
    is required. Films from any country are considered. Films are
    considered on an ongoing basis.

    2008 Submission Form:
    http://experimentalcinema.org/subform2.htm

    TIE, The International Experimental Cinema Exposition
    849 Humboldt Street, #2
    Denver, CO 80218
    USA

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  • PFVAC 2008

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    CALL FOR ENTRIES
    www.pfvac.org

    007: Acts and Actions
    Portland Film + Video Artists Collective
    Zero Station
    7 June 2008

    Postmark deadline 15 March 2008

    The Portland Film + Video Artists Collective will curate a program of film and video
    works that directly address the time-based nature of media. PFVAC seeks single-channel
    works under ten minutes in length that present repeated or sustained gestures, or
    document a change by or through duration. All manner of experimentation is actively
    encouraged. Acts and Actions will screen at Zero Station contemporary art space,
    Portland, Maine, on 7 June 2008.

    An illustrated exhibition catalogue will complement the screening.

    Please submit:
    • Name / address / email / phone
    • Artist statement and bio
    • Works under 10 minutes in length (formats accepted: miniDV, Super 8 silent, 16mm sound
    or silent – miniDV reviewer screeners accepted)
    • Entry fee of $5 per submission
    • SASE for work to be returned; otherwise work will be held for consideration in future
    programs

    Send to:
    PFVAC: Acts and Actions
    c/o Kenneth White
    84 Carleton Street #23
    Portland, Maine 04102
    United States

    Contact: < [email protected] >
    Visit us online: < www.pfvac.org >
    Zero Station online: < www.zerostation.com >

    Acts and Actions is the seventh event of the Portland Film + Video Artists Collective.
    PFVAC formed in July 2006. It is committed to the advancement of film and video as
    personal, experimental art forms through regional and international programming.
    Celebration and preservation of creative freedom is paramount in all actions. PFVAC has
    presented five events thus far, including: Dan Graham visiting artist talk (October
    2007), PFVAC + SPACE: New Projections + Installations (September 2007), Portland -
    Syracuse One Take Super 8 Event with visiting artist Brett Kashmere (April 2007), Peter
    Gruner Shellenberger Retrospective (March 2007), and Premiere Showcase (October 2006).
    006: PFVAC Fresh Works, a DVD compilation of film and video by PFVAC members, is
    scheduled for March 2008 release.

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  • HDFEST 2008 - Looking for HD Experimental Films and Animation

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    HDFEST is now seeking entries of films for its 2008 Festival Events.
    HDFEST 2008 marks the organization's 9th year of celebrating
    High-Definition filmmaking. The festival screens exclusively movies
    shot with Hi-Def or HDV cameras. All festival content is also projected
    using HD technology.  Festival events have been taking place since
    2000. Festivals take place annually in the UK, Finland, New York City,
    Seoul and Los Angeles. HDFEST also includes panels and seminars on
    digital filmmaking and HD technology.

    HDFEST is open to
    submissions of feature films, short films, music videos, animation,
    experimental films and documentaries created using HD or HDV
    technology. All movies must have been completed after January 2006.

    HDFEST
    also gives out the annual HDFEST Deffie Awards recognizing achievement
    in HD independent moviemaking. The Deffie Awards offer prizes of
    filmmaking equipment and software in over 20 categories offered
    exclusively to High-Definition and HDV filmmakers. HDFEST also has a
    unique festival category recognizing achievement in High-Definition
    experimental filmmaking.

     For more information on HDFEST visit http://www.hdfest.com/hdfestsubmit.html   The entry deadline is March 1st, 2008.   Or enter the festival via withoutabox at http://www.withoutabox.com/login/5780  to fill out the entry form online.

    HDFEST HISTORY

    Since
    2000, HDFEST has known that high-def and digital cinema are the future
    of the entertainment industry. Since that time, the festival has been
    at the heart and core of this revolution. HDFEST has been responsible
    for numerous historic digital cinema landmark events and technological
    firsts- check out our festival milestones page http://www.hdfest.com/hdfestmilestones.html
    for details. There have been over 28 HDFEST events in 10 cities
    including LA, NYC, London, Helsinki, Seoul, South Korea and Sydney,
    Australia. Since 2004, HDFEST also has been awarding the annual HDFEST
    Deffie Awards recognizing achievement in HD independent filmmaking.

    HDFEST MISSION

    HDFEST's
    mission is to promote, celebrate and encourage HD and HDV independent
    filmmaking and HD Animation. HDFEST is digital democracy in action.
    High-Def has the potential to level the playing field between the big
    budgets and the indies more than any other technological breakthrough
    since digital video, and perhaps, ultimately even much more.

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  • ATA Film & Video Festival 2008

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    Artists' Television Access calls for submission for its third ATA Film and Video Festival!

    Experimental Shorts
    20 mins and under
    Video, Super 8 and 16 mm
    Preview on VHS, miniDV or DVD
    Deadline: May 15, 2008
    Entry fee: $10

    http://www.atasite.org/festival/

    The ATA Film & Video Festival was founded in 2006 to showcase some of the best short works by independent and experimental film and video artists exhibiting locally, nationally and internationally. The festival includes several nights of screenings and installations in our Mission District storefront gallery and a lunch for the filmmakers. Throughout the year, work from the festival is broadcast to the San Francisco community on ATV, ATA’s weekly cable-access television show, and screened in other national and international venues.

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  • 4~D DREAM-a-Thon Experimental Film and Video Series

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    4~D DREAM-a-Thon
    Experimental Film and Video Series
    the 2nd and 4th Sunday of every month

    @ the Climate Theater
    285 9th St. @ Folsom (next to the drum shop!)
    San Francisco, CA. 94103
    7pm
    $5 (featured artists get in free)
    www.climatetheater.com
    www.myspace.com/4d_dreamathon

    This bi-monthly series provides a venue for film/video artists who use experimentally within the mesi techniques to push the boundaries of traditional cinema. In addition to showing contemporary works from both local and international artists there will also be nightly screenings of early experimental film and video art. Live music or performance will open each night’s show in a cabaret-like setting.
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    We are always looking for submissions that meet the following criteria:

    All works must fall into the genre of EXPERIMENTAL.
    This may include:
    * abstract narrative/non-narrative
    * animation
    * political
    * live music scoring with film/video
    * performance art
    * installation
    * we are also looking for live music/projection performances
    to open each show

    Formats acceptable for show:
    Film: super 8,16mm
    Video: DVD, miniDV, VHS
    Other formats: live performance, installation or website

    Formats for submission:
    ( in order of preference)
    1.) web link
    2.) DVD
    3.) mini DV
    4.) VHS
    5.) your only 8mm/16mm film print
    6.) written description
    7.) we come to you
    8.) telepathy

    If you do not have a web link please send submissions to:
    Climate Theater
    c/o Jen Cohen
    285 9th St.
    San Francisco, CA. 94103
    Please include a SASE if you want your materials returned to you.

    NO submission fee. NO limit on number of submissions.

    For more information and to submit web links, please email us at:
    [email protected]

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  • Moving Images Call for Work 2008

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    Moving Images is entering its second year of showing work the Sioux City
    Art Center, a museum located in Sioux City, IA.
    This is an on-going program with no specific deadline; please submit works
    for the 2008-2009 program that begins this summer.

    Submissions are invited from all film and video-makers.

    This exhibition will present the only opportunity currently in the Siouxland
    area to see work by contemporary film and video makers on an on-going basis.
    Works will be shown on a large flat screen monitor set-up in an appropriate
    area of the Atrium with benches as seating. This space has high visibility;
    it is not an enclosed "black box" space. The program will present the
    film/video work of a single artist at a time. Sending older work is
    encouraged to provide this audience with an overview of a film/video maker's
    work.

    Include a synopsis of the film/video(s) submitted, technical details, and a
    brief biography if you wish, or a link to your website.
    Please submit all work on DVD-NTSC

    There is no fee to submit.

    Exhibiting artists will be paid a fee for presented works.

    Please contact me if there are any questions.

    Moving Images
    Michael Betancourt, curator
    Sioux City Art Center
    225 Nebraska Street
    Sioux City, IA 51101

    * URL: * www.siouxcityartcenter.org/

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