Calls for entries

  • Digital Shrine at Parade of the Lost Souls 2008

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    Call for submissions
    Digital Shrine at Parade of the Lost Souls 2008
    Oct 25th, 2008, Grandview Park, Vancouver, BC
    Time: 6.30 PM, procession at 7:00 PM
    The
    Parade of the Lost Souls is a lively commemoration of the cycle of life
    and death, and of facing fears in order to live life to its fullest.
    Costumed stilt walkers, jugglers, dancers, skeletal brides, blessed
    witches, ghastly ghouls, and prancing pixies lead a walking procession
    through the neighbourhood to honour the dead, wake the living and
    celebrate.
    The Digital Shrine
    at Parade of the Lost Souls is an installation where hand-made / solid
    shrine objects are placed, notes of remembrance can be written and
    posted on paper or video, and a projection screen mixes text, pictures
    and video. The Digital Shrine is a way to pay tribute to friends and
    loved ones who have DIED or things that have PASSED.
    Send your text, images, video up to 10mb to Shrine08 curator Flick Harrison: [email protected]
    OR post to YOUTUBE / FLIKR & tag with shrine08 and we'll find it!
    Deadline for youtube / flikr / email content:  Oct 24th
    Text / picture SMS messages: During Parade only.
    text / pic to: 778-320-6673
    or TWITTER #shrine08
    Or come to Shrine Making Workshops:
    and SEE THE DIGITAL SHRINE at Grandview Park at Parade of Lost Souls
    Terms of Use: All submissions will be licensed to Public Dreams Society under Creative Commons Attribution 2.5, Canada terms.
    Digital Shrine Website, including submission instruction sheet / handbill:
    Public Dreams society thanks Fearless Media and Community Arts Network for their help in creating the Digital Shrine.

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  • PDX Festival 2009

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    Peripheral Produce's Eighth Annual Portland Documentary and
    eXperimental Film Festival (PDX Fest, for short) is now accepting
    submissions for its five-day exposition taking place May 6-10, 2009 in
    Portland, Oregon.

    PDX Fest is dedicated to showcasing new and innovative work in film and
    video from around the world. Focusing on non-narrative and documentary
    films that goes against the grain of mainstream entertainment, the PDX
    Fest is looking for artistic, underground, quirky and challenging work
    that reflects contemporary culture, documents historic oddities, and is
    otherwise unclassifiable.

    Experimental, documentary and/or underground work of all lengths will
    be considered. Exhibition formats include 35mm, 16mm, Beta SP, and DV. Live, multi-media and performance-based works with a film or video emphasis are also encouraged to submit.  We are also accepting video installation proposals for the festival's satellite installation exhibit.  Please see our submission guidelines for complete details!

    Early Bird Deadline: December 12, 2008
    Final Deadline: January 23, 2009

    PDX FEST GOES GREEN!
    In the hopes of reducing the amount of waste we accumulate as a film
    festival and minimizing our impact on the environment, we have greatly
    simplified the submission process, paring it down to the bare
    essentials.  We are asking film and video entrants to send only their
    entry form and a one-page description/bio along with their
    submissions.  As much as we love seeing everyone's groovy posters, cool
    DVD cases, and awesome press kits, we ask that for the sake of our
    environment (and our tiny little office), that you refrain from sending
    such additional materials with your entry.  If your film is selected
    for the festival, press materials may be requested at that time. 
    Ultimately this will save you time and money with a simpler, lighter
    submission package to mail off, while saving us the guilt-inducing task
    of recycling or throwing out (when necessary) a massive load of
    additional materials come the end of the festival. Please see the entry
    guidelines for the full run down on submission materials to include.
    Thanks in advance for helping us out with this!

    PAY ENTRY FEE ONLINE!
    We are once again taking entry fee payments via PayPal as well as check
    and money order ($1 transaction fee applies for online payments).  Just
    look for the buttons on the PDX 2009 page of our website!

    For complete details on all submission guidelines and to download the entry form, please head to our website www.peripheralproduce.com. We look forward to seeing all of your work!

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  • Beyond Film Festival 2008

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    Beyond Film 2008
    Open Call for Submissions

    The
    event has been developed by a core of 4 partners within Durham City:
    Gala Theatre and Cinema, Durham County Council Arts Team, Durham 2020
    Vision and DCA (Durham City Arts).  This will be the first event of its
    kind within the city and aims to showcase a range of exciting emerging
    and established artists’ work.

    The event is an exploration of
    the use of film and video as a medium for creating artwork, for
    communication and for innovation.  The event will spark debate about
    the role of film and video with art, and conversely the role of
    artists’ film within the wider film world.

    The aims of Beyond Film are:
    o To provide a platform for new and emerging artists and film-makers to show their work within the public domain.
    o To develop and encourage an audience for experimental film and digital art within Durham and its environs.
    o To show a dynamic and exciting programme of film and digital artwork in an unusual setting.

    The
    theme of this year’s festival is Journeys.  This is a broad theme and
    can be interpreted in many ways, from a physical journey from place to
    place, to a spiritual or emotional journey. 

    Submissions

    We invite submissions for films relating to the festival theme, separated into three categories, as follows:

    1. Young people (aged 16 – 21 years)
    2. Recent Graduates (graduated in the last 5 years)
    3. Professional Artists (graduated more than 5 years ago)

    Film
    work must be submitted on DVD, and should not exceed 10 minutes in
    length.  Along with your film work, please also include a statement (no
    more than 1 side of A4) about your work and a copy of your CV.

    The deadline for submissions is Friday 31st October at 5pm.

    Mark your submission ‘Beyond Film’ and send to:

    Victoria Manifold, Film Development Officer
    Gala Theatre and Cinema
    Millennium Place
    Durham
    DH1 4TD

    If
    you require us to return your submission, please enclose a stamped
    self-addressed envelope (with the correct postage, please).

    Timescales

    Friday 31st October        Deadline for submissions

    Week of 3rd November    Selection by Beyond Film steering group

    Monday 10th November    Selected artists informed

    Saturday 22nd November     BEYOND FILM EVENT
    Sunday 23rd November   
       
                Screening of selected films from Young People,            
        Recent Graduates and Professional Artists                    
    categories in Mobile Cinema

    For further enquiries, contact Victoria Manifold:
    Email: [email protected]
    Telephone: 0191 332 4058

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  • Call for Presentations: Transgressive Cinema Panel

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    SW/TX PCA/ACA
    Call for Presentations: Transgressive Cinema Panel

    Deadline for submission: November 15, 2008
    Online: http://www.h-net.org/~swpca/index.html

    The 30th Annual Meeting of the Southwest/Texas Popular and American Culture Associations
    February 24–28, 2009
    Hyatt Regency Albuquerque
    Albuquerque, New Mexico

    The
    area chairs are seeking submissions for presentations on any aspect of
    Exploitation/ Horror/ Experimental film, although papers that
    explicitly engage with the concept of "transgression" are strongly
    encouraged. This is the third year for this area, and we are hoping to
    expand on the success of the previous two years in order to make SW/TX
    PCA/ACA an important forum for scholarly discussion of these kinds of films.

    This
    year, we will also be continuing our well-received film
    screening/discussion panel series. Last year, our focus was on James
    Landis' 1963 film, The Sadist, starring Arch Hall, Jr. This year, we
    will be screening Ruggero Deodato's notorious 1980 film, Cannibal
    Holocaust.
    If you are interested in participating in this roundtable discussion, please contact the area co-chairs.

    If
    societies are defined by the limits they place on personal behavior,
    then acts of transgression are necessary to identify just where those
    limits lie. Significantly, films that exist outside of the multiplex
    mainstream often traffic in representations of such taboo breaking. In
    other words, this panel is seeking presentations that look at films
    that "push the envelope to the point of tearing it."

    The types
    of films and filmmaking that we are looking for are not limited to
    traditional horror films, or even the many subgenres that can be
    described as "exploitation." Transgressive themes are frequently
    explored in experimental and arthouse cinema as well. Nevertheless, as
    a general rule these films all share a penchant for content that
    disturbs more than it placates. We encourage submissions to utilize a
    wide variety of methodological approaches, from psychoanalysis to
    reception studies.

    Some filmmakers to consider:

    Nick
    Zedd/Richard Kern/Genesis P. O and Psychic TV/Matthew Barney/Herman
    Nitsch/ Dwain Esper/H.G. Lewis/ Ruggero Deodato/Lucio Fulci/Dario
    Argento/Andy Milligan/Kenneth Anger/George Kuchar/Curt McDowell/ Ken
    Jacobs/Craig Baldwin/Georges Franju/ Bunuel/ Fellini/ Jörg Buttgereit/
    Jan Svankmajer/Takashi Miike/ Abel Ferrara/ Tony Tenser/Pete Walker/
    Monika Treut/Jane Campion/Alfred Hitchcock/David Cronenberg/Rob
    Zombie/Peter Greenaway

    These are only a FEW of the filmmakers one could look at; we strongly encourage papers that examine others as well.

    Co-chairs:

    Rob Weiner
    Box 53841
    Lubbock, TX 79453
    rweiner5_at_cox.net

    John Cline
    2200 S. Pleasant Valley Rd. Apt 808
    Austin, TX 78741
    john-cline_at_mail.utexas.edu

    Conference Rates: Professionals, $140; Graduate students $120; Spouse, partner $50

    Information
    about our areas of study, conference travel, lodging, and the
    organization can be found on our regularly updated website: http://www.h-net.org/~swpca/index.html

    We
    look forward to seeing you this winter in sunny Albuquerque where we
    invite you to explore Route 66, local pueblos, hiking trails, museums,
    the Sandia and Isleta casinos, area ski resorts, and nearby Santa Fe.

    SW/TX PCA/ACA 2009 Conference
    February 24-28, 2009
    Hyatt Regency Albuquerque
    330 Tijeras Albuquerque, NM 87102

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  • Call For Papers: Avant-Doc

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    Call For Papers: Avant-Doc: Intersections of Avant-garde and Documentary Film
    The University of Iowa
    March 5-7, 2009

    Abstract Deadline: November 21, 2008 (send to [email protected] )

    Keynote Speakers:

    Alexandra Juhasz, Professor of Media Studies,
    Pitzer College

    Juhasz is the author of essential books in film studies like AIDS TV: Identity, Community and Alternative Video and Women of Vision: Histories in Feminist Media and influential articles on feminism, film theory and documentary, as well as a prominent maker of many documentaries, including Video Remains (2005), Dear Gabe (2003) and WE CARE: A Video for Careproviders of People Affected by AIDS (1990).

    Scott MacDonald, Visiting Professor of Film History,
    Hamilton College,
    Harvard University

    MacDonald is a historian of the American avant-garde and the author of the landmark series A Critical Cinema: Interviews with Independent Filmmakers. He has also authored three books on institutions that have kept alternative cinema alive: the companion volumes Cinema 16: Documents Toward a History of the Film Society and Art in Cinema: Documents Toward a History of the Film Society and the recent Canyon Cinema: The Life and Times of an Independent Film Distributor.

    Other recent books include The Garden in the Machine: A Field Guide to Independent Films about Place and the forthcoming Cinema As Exploration: Essays/Interviews.

    Organized by graduate students in the Department of Cinema and Comparative Literature at the
    University of
    Iowa
    , Avant-Doc: Intersections of Avant-garde and Documentary Film seeks
    to explore the historical and contemporary intersections of documentary
    and avant-garde film and media. While the categories of avant-garde and
    documentary have been used to designate separate modes of filmmaking
    and institutional frameworks, in practice, filmmakers, theorists and
    spectators have experienced and understood the two as malleable and
    interactive categories. Our renewed interest in their interaction is
    due to new production and exhibition technologies, the boom in
    experimental documentary production, and renewed questions of media
    praxis in response to global crises such as the Iraq War.
    Avant-Doc foregrounds
    the relationships between avant-garde and documentary modes in order to
    open examinations of their productive intersections and the many
    historical and theoretical questions which emerge from them.

    Possible approaches:


    Readings
    of documentary and/or avant-garde films, including, but not limited to, cross readings (i.e. reading avant-garde films as documentary, non-fiction film as avant-garde, etc.)

    Studies of experimental documentaries, including self-reflexive documentaries, historiographically engaged experimental films, experimental ethnographies and essay films, and/or the works of a particular filmmaker (Rouch, Marker, Berliner, Godmilow, etc.)

    Histories of intersections in production, distribution and exhibition

    Histories of the institutional categories, their intersections, and/or permutations

    Discussions of alternative media practices and mixed programs

    Creative
    presentations and panels are also encouraged. To propose a panel, send
    the panel or session title, a brief description of the theme, names of
    participants, and abstract for each presentation. To propose a paper,
    please submit an abstract of no more than 300 words and a short CV by
    November 21, 2008 to [email protected] or send to David Harvey,
    Department of Cinema and Comparative Literature, E210 AJB,
    Iowa City, IA
    52242
    . This conference is open to graduate students and faculty, as well as to independent scholars and artists.

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  • Experiments in Cinema v4,2

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     Experiments in Cinema V 4.2 will screen works culled from our international call for submissions (postmark deadline is January 10, 2009  we will begin accepting submissions September 10, 2009).  The event will take place at the Southwest Film Center on the campus of the University of New Mexico, 516 Arts (downtown Albuquerque) and at the Guild Cinema in Albuquerque April 16, 17, 18, and 19, 2009.  The recently renovated Southwest Film Center, 516 Arts and the Guild Cinema have the capability to screen 35mm, 16mm, and digital video (mini dv and DVD).  In past years we have hosted audiences of more than 300 people for our four day event, and we expect a great turnout again this year.

    Experiments in Cinema V4.2 is currently seeking unembedded, un-dependent film/video work for our 2009 festival.

    Experiments in Cinema is an annual collaboration between Basement Films, and the Department of Cinematic Arts at the University of New Mexico.

    Experiments in Cinema is supported by generous funding from the Department of Cinematic Arts ICLS Program, the McCune Charitable Foundation and New Mexico Arts.

    Entry Criteria:
    All un-commercial, un-industrial, un-classifiable, un-dependant, un-embedded experimental works are eligible for this festival.  Old and new works are encouraged for our young and growing event.  All entries in languages other than English must be subtitled in English, dubbed in English or be submitted with an English text (hard copy). Maximum running time for submissions is 40 minutes.

    Screening Formats:
    Acceptable pre-screening formats include DVD (PAL or NTSC is OK  but please mark your discs clearly ).  For the actual festival we have the capability to screen 16mm, 35mm, and mini-DV (NTSC/PAL).

    Entry Deadline:  postmarked by January 10, 2009

    Entry fees:
    Entry fees are $15 per entry.  If you are submitting 3 or more works the entry fee is reduced to $10 PER WORK. Entry fees must be in U.S. funds.  Checks or money orders should be made out to Basement Films.  Multiple entries must be submitted on separate discs. 
    Only artists whose work has screened in our festival in past years should waive all entry fees.  Additionally, all international submissions will NOT pay an entry fee for our festival.

    Shipping:
    Do not use fiber-filled envelopes as these can damage your media and our machines.  The cost of shipping preview and exhibition copies of works is the responsibility of the entrant.

    Our festival will cover the return of accepted works via surface shipping only.  Entrants must pay additional charges for express shipping and notify us in advance if they require work be returned earlier than one month after the festival is over.  The festival will not accept responsibility for damage or loss of materials while in transit.

    International entries must be marked FOR CULTURAL PURPOSES ONLY  NO COMMERCIAL VALUE.
    The festival will not pay import duties or taxes.  All entries, entry fees and supporting
    materials should be sent to

    EXPERIMENTS IN CINEMA V4.2
    c/o Basement Films
    PO Box 7669
    Albuquerque, New Mexico
    USA 87194

    Required Supporting materials:
    1)  A single, clearly labeled CD with the following information on it:
            a) one 300dpi still from your submission.
            b) 50 word synopsis of the submission
            c) 75 word artist bio (include previous screenings of your
                 entry if you would like).
            d) one 300 dpi image of the artist
    e) English translation/script

    2) Hard copies of the following:
            a) completed entry form
            b) 50 word synopsis of the submission
            c) 75 word artist bio
            d) English translation/script

    Selection:
    Entrants will be notified by email of their entry status by February 15, 2009.  Also, all entrants will be notified by email when their submission arrives at our office.

    Awards:
    In 2009 Experiments in Cinema continues to be proud in defining ourselves as a  non-competitive festival. However, we do pay artist fees for programmed work (dollar amount TBA depending on our annual budget).
    Return of Preview/supporting materials:
    Preview Tapes, DVDs and CDs will NOT be returned. However, all materials submitted by artists whose work IS included in our event will be returned.

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  • Call for Papers - Expanded Cinema @ Tate Modern April 2009

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    "Expanded Cinema: Activating the Space of Reception"
    Tate Conference, London
    April 17th-18th 2009

    Central St Martins College of Art and Design (University of the Arts
    London) and Tate Modern are pleased to announce an exciting two-day
    conference aimed at reconsidering film and video art practices
    associated with the international and experimental tradition of
    Expanded Cinema.

    We invite papers that critically address Expanded Cinema as a
    historical category. We hope that this will open up debates surrounding
    Expanded Cinema as a model for future practices that challenge cultural
    and theoretical assumptions regarding narrative structures and
    “cinematic experience.”

    Key themes are (but should not be excluded to):

    Expanded Cinema and the Context of Reception
    • Expanded histories, definitions, early precedents
    • Gallery, the cinema, TV
    • Multi-screens, projections
    Expanded Cinema and Social Space
    • Audiences, spectatorship
    • Narrative and social space
    • Spectacle
    Discourses of the Body: Live Performance in Expanded Cinema
    • Performance art and film, video and digital technologies
    • Interventions, actions and happenings
    • Live film and video
    Media Environments: Expanded Cinema in the Digital Age
    • Installation, time, space structures
    • Interactive narratives
    • Video, the digital, virtual arts

    Please send 300 word abstracts for 20 minute illustrated papers to Dr Duncan White [email protected] <mailto:[email protected]&gt;
    at British Artists’ Film and Video Study Collection, Central St Martins
    College of Art and Design, 107-109 Charing Cross Road, London WC2H 0DU

    For more information - visit: http://www.studycollection.co.uk/expanded/index.html

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  • The One Take Super 8 Event - Winnipeg Edition

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    This event is easy as pie: shoot a 3 min, 20 sec Super-8 film in one take and you're done! No movie will ever be easier to make!

    Films created for prior editions of the WNDX / Winnipeg Film Group
    One Take Super 8 event have gone on to screen at Antimatter, Images,
    Ann Arbor, the $100 Film Festival and other amazing festivals across
    Canada, in the US and in Europe.

    Reserve your spot by submitting your completed entry form and paying
    the $35 entry fee by FRIDAY, AUGUST 22 AT 4 PM, at the latest. Entry
    forms and payments are accepted at the Winnipeg Film Group.

    MANITOBA RESIDENTS ONLY!

    Entry forms are available at the Winnipeg Film Group, or from this address: http://www.wndx.org/store/2008%20OTSEE%20Entry%20Form.pdf

    NOTE: The 25 spots traditionally fill up well in advance of the
    deadline, and often within days. Don't wait if you know you want to
    participate!

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  • Reel Venus Film Festival V 2008

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    Reel Venus is seeking submissions of short films, photography and multimedia for its 5th Annual showcase  which is set to take place October 2,3 & 4 2008.

    Reel Venus Film Festival is an eclectic 3-day showcase of alternative and mainstream film/video shorts (30 minutes or less) photography
    and multimedia presentations directed/photographed by WOMEN filmmakers, video artists and photographers from the U.S. and abroad.

    All topics considered, all genres accepted:
    Narrative, Experimental, Documentary, and Animation.
    Works must have been completed after July 2007.

    International and Student Submissions highly encouraged

    Deadline:  August 30, 2008 - $20.00

    To Download Application:
    www.reelvenus.com

    For further Info:
    [email protected]
    212-714-8375

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  • Rencontres Internationales Paris / Berlin / Madrid

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    rencontresRencontres Internationales Paris / Berlin / Madrid :: Call for Entries - Deadline: August 25, 2008.

    Rencontres Internationales will take place at the
    Centre Pompidou, at the Jeu de Paume national museum and in other key
    locations in Paris in November 2008. The same program will be presented
    in Madrid in April 2009 and in Berlin in June 2009.

    Those three events will propose an international programming
    focusing on film, video and multimedia, gathering works of artists and
    filmmakers acknowledged on the international scene along with young
    artists and filmmakers.

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