Repeated Apparitions is a programme of screenings, performances and events that muse over repetitive cycles of oppression and their social invisibility and normalisation. Through a shared exploration of radical images, wild experimental sounds and evocative texts, the programme looks at how repetition can be used to create processes of reparation and renewal, disrupt the past and imagine new realities.
Working in the late 60s, Edward Owens created a series of films which were largely forgotten until re-discovery in 2009. This is the first chance to see all four of Owens' films together in the UK.
To mark the acquisition of several short films by Maria Klonaris and Katerina Thomadaki into its catalogue, Light Cone presents a special screening of the duo's first feature film,Double Labyrinthe(1976), accompanied by two rarely-seen short films. This mythical film, the cinematographic debut of Klonaris/Thomadaki in France, was screened for the first time in May 1976 at the University of Paris I, in the presence of Michel Journiac and Dominique Noguez.
Between January 13 and 17, 10 screenings dedicated to the film work of Nathaniel Dorsky and Jerome Hiler will take place in Barcelona. The film retrospective, “Illuminated Hours: The Devotional Cinema of Nathaniel Dorsky and Jerome Hiler”, organized by Francisco Algarín Navarro and Carlos Saldaña, will be celebrated in three different venues: Xcèntric, the cinema of the Center of Contemporary Culture of Barcelona, the Catalonian Cinematheque and ZumZeig Cinema.
Fechas:
De Jueves, Enero 13, 2022 (Todo el día) hasta Lunes, Enero 17, 2022 (Todo el día)
A group show of experimental film and video artists that explore the notion of before-and-after a memorable event in relation to their work. Does the “after” mirror the “before” or is the reflection completely different? Each artist responds to the question in a different way. This group screening reflects on a binary aspect of ‘before and after’ an event, trauma, pandemic, or “just” the passage of time, and the way it influences the cinematic narrative as well as the artist’s reading of the concept itself.
