The next AXW Film Festival screening features work by:
Jesse Russell Brooks with poet Alexzenia Davis
Whitney Johnston
Olivia Ciummo
Cornelia Eichhorn
Tara Merenda Nelson
and a film by Beth Portnoy with dancer Amy Larimer.

Please visit the AXW Blog page for more about their film, gyre-ation: http://axwff.com/guest-blogs/beth-portnoy/

As part of the Kontraste Festival 2013

‘You hear it everywhere: Cinema is tipping over – its epic and dramatic forms are spilling over into television, avant-garde and experimental films have fled to the galleries, and all the images that once belonged to it are now available everywhere, anytime. At the Austrian Film Museum, we tend to refrain from such sweeping and simple-minded swan songs. For this very reason, we are honoured to participate in Vertical Cinema – a project committed to taking one step at a time. Instead of trying to tip cinema in its entirety into the digital netherworld, this project is content with just tipping the screen – observing how an artform changes if you respectfully chafe at its edges.’ – Alexander Horwath, Director of the Austrian Film Museum

What we usually identify as the indisputable ‘temple of film’, the Cinema, is not really a given, especially not in the realm of experimental cinematic arts. Yet this is somehow sidelined in the process of re-thinking the possibilities of cinematic experience, mostly because the architectural frame is already there, if only as a convention established a long time ago within the theatrical arts. Actually, the history of experimental cinema and the art of the moving image suggests that the space might very well be the crucial aspect of the total audiovisual experience – something one should always question and take into consideration when producing a work for audiovisual, sensory cinema.

Curated by Caroline Koebel for Aurora Picture Show

Kino B initiates viewers into the swarm of moving images made thus far in the 2010s by Berlin-based artists. Sylvia Schedelbauer’s Sounding glass, the stunning and astounding experimental short about vision, history, memory, and war that won accolades at Ann Arbor and Oberhausen, centers the outwardly spiraling program. The other projects—curated in situ during a research trip to Berlin—include film, video and installation (transposed to single-channel projection) by Guillaume Cailleau & Ben Russell, Harun Farocki, Isabella Gresser, Bernd Lützeler, Anna Marziano, Deborah S. Phillips, Michael Poetschko, and Daniel Steegman Mangrané. Chosen for their individual merits and seemingly unrelated in their disparateness, the works nonetheless share a command of cinema’s potential for experientially transformative critical reflection. Each title, in its own way, acts as an experimental essay on the world as it can be encountered, engaged and repositioned so as to enable a dialogue between self (artist) and others (viewers) on that world.