Over the past 15 years, British artist, filmmaker and musician Luke Fowler has developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education.
Argentinian filmmaker Ignacio Tamarit is coming to Europe! He will show his work and - in selected venues - a programme of contemporary Argentine cameraless films, featuring works by Ernesto Baca, Julio Fermepin, Federico Lanchares, Pablo Marin, Pablo Mazzolo, Manu Reyes, Leonardo Zito and Jeff Zorrilla.
Considerado un maestro e innovador en el manejo de la positivadora óptica (optical printer), las inesperadas composiciones y paisajes cinematográficos que conforman el cine de Pat O'Neill son fruto de un pionero y virtuoso trabajo artesanal que, en contraste con la época digital, revela con más fuerza su intensidad plástica y cromática.
The Uncertain Archive: Twisting the Codes of HollywoodUn programa comisariado porAlison Nguyen
Una serie de proyecciones de video-artistas y cinematógrafos que subvierten los códigos de los medios de masas, a menudo apropiándose de imágenes encontradas. Las obras cuestionan la tecnología que forma nuestra percepción de género, autoridad, espacio e historia.
Fechas:
De Martes, Enero 30, 2018 - 21:00 hasta Miércoles, Enero 31, 2018 - 20:55
Birkbeck Institute for the Moving Image in collaboration with Reading School of Art presentsEssay Film Festival Prelude 1: The Cinema of Stephen Dwoskin and Trying to Kiss the Moon
This screening and discussion provides an introduction to the work of Stephen Dwoskin through his autobiographical montage-film Trying to Kiss the Moon (1994, 95min) and Anna Ambrose’s portrait The Cinema of Stephen Dwoskin (1984, 60min),
Los films de Michele Fleming concentran la mayor parte de disciplinas artísticas en las que trabajó y combinan la observación íntima del mundo que la rodeaba con referencias a otras películas y, sobre todo, a multitud de libros; en ellos es esencial el trabajo sobre el texto en pantalla, el retrato de los cuerpos y la alternancia de superposiciones en color y blanco y negro.
New Beginnings for the New Year features a selection of Sadie Benning’s proto-riot grrl PXLvision cine-confessions, Peggy Ahwesh’s documentary-styled verité melodrama Martina’s Playhouse (1989) and Nina Fonoroff’s The Accursed Mazurka (1994), an epic collage consideration of spiraling mental illness, recovery and identity.
Observations through the camera combined in different ways create new realities. Clara Bausch, who is born in Berlin and lives here as artist, strictly works with analogue images in her films, installations and photography. She studied Fine Arts at UdK Berlin and is co-founder of Labor Berlin. It is the ordinary, simple things in life that capture her attention. And it is the combinations of impressions, occurrences and images that create reality. The new realities that Clara Bausch creates in her art work are by no means out of this world.
Fechas:
De Jueves, Enero 25, 2018 - 21:00 hasta Viernes, Enero 26, 2018 - 20:55
