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\'Meshes of the Afternoon\' was a genuine landmark which launched the American post-war avant-garde movement and has continued to influence experimental film-makers. Through a variety of disorientating creative devices, everyday objects acquire strangely
"In September 1947 I disembarked in Haïti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography." - Maya Deren
From the maker of the influential \'Wavelength\', an investigation into representation, process and material and the nature of camera movement.
The champion of absolute ideas in abstract experimental films, Fischinger\'s name is synonymous with the genre. This is a good mix of his films from his experiments with animating kaolin wax on glass to his beautiful later colour abstracts. Notice: this title is out of print; please refer to Oskar Fischinger - Ten Films
A wide range of abstract films from the master of the genre, from advertisements for Muratti cigarettes and Muntz televisions to fragments of animated experiments. Notice: this title is out of print; please refer to Oskar Fischinger - Ten Films
Three extraordinary, experimental films. Features 'Piece Mandala / End War', N:O:T:H:I:N:G and T,O,U,C,H,I,N,G.
Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colou
The ten short films on this DVD represent a panoramic view of contemporary experimental creativity. It's the visuals that take the lead over the narration and orient the direction of the works. But these directions are joined with questions of humanity, philosophy and aesthetics that each creator asks himself, no matter what the style or format is used, concerning: games, desire, encounters, the search for an identity, representation or society.
Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.
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