VISIONS : 15.02.19 : Nazlı Dinçel In collaboration with La lumière collective, VISIONS presents : Nazlı Dinçel | Feelings are Facts [Filmmaker present | En présence de la cinéaste | Projection 16mm + HD] +++ 15.02.19 FEELINGS ARE FACTS [Oeuvres réalisées par | Works by Nazlı Dinçel]
Her Silent Seaming 2014 | sound | colour | 16mm | 11 mins
Submissions are now open for Braziers Mini Indi Film Festival 2019. Located in Oxfordshire, the festival offers an opportunity for independent filmmakers to show their short film to an enthusiastic audience, in the unique, historical setting of Braziers Park, the UK's longest running international community and educational centre, and home to the annual Supernormal Festival. We accept short films in any genre, with a particular focus on experimental works and artists' film, up to 30 mins in length.
How does technology reproduce the mechanisms of vision? What questions arise from the intersections between capitalism, art, cinema, the mind, and neuroscience? What are the political, social, and philosophical consequences of the technological expansion and recreation of the visible? Who decides how we see and what we see? This following February at Cineteca Madrid we will explore the visual imaginaries produced by the technologies of cinema, art, performance, critical thinking, and virtual reality that amplify our ways of seeing and being in the world.
Friday, February 1, 2019 (All day) to Saturday, February 2, 2019 (All day)
Print Generation is one of the canonic titles of structural cinema. Its starting point is a repetitive montage of sixty shots lasting one second. It’s a filmic minute of autobiographical images then submitted to scrupulous copying per contact process. Conducted in close collaboration with a professional laboratory, the title reveals J. J. Murphy’s yearning to research the photochemical properties of the medium following a systematic generative methodology.
The FESTIVAL ECRÃ is an event of audiovisual experiments that thinks the audiovisual work as a product that can be experienced in different ways, whether on screen or in a new environment.
This project arose from the desire to question the film industry and its "primordial elements" and to give space for filmographers and artists to experiment freely in audiovisual production and meaning.
The submissions for Festival ECRÃ's third edition will start this Friday, February 1st.