Screenings

  • Imaging the Avant-Garde: Taiwan's Experimental Films of the 1960s

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    Tonight’s program derives from a five-part series curated by Taiwan International Documentary Festival (TIDF), with support from the Taiwan Film Institute. In 2016, curators at TIDF conducted an exhaustive search for Taiwan’s experimental films of the 1960s, unearthing a striking body of largely forgotten works.

    Dates: 

    Thursday, March 28, 2019 - 19:30

    Venue: 

    Yerba Buena Center for the Arts - San Francisco, Estados Unidos
  • Pugnant Film Series: Psychedelic Is The New Childhood

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    ~~~~~~~~~~PSYCHEDELIC  IS  THE  NEW  CHILDHOOD~~~~~~~~~~
    Video Installation || Sound Installation || Live Music || Live Visuals || Dancing

    Program
    |||19.00 Video Installation with Two Screens (Selected by Pugnant Film Series + Trashxploitation)
    ~Screen 1(Curated by Pugnant Film Series)
    \\Accident de personne  || Katagami || Anarchy in China  || Without A Soul || Houndsoflove || Sans Titre || The heat cognition || EL Diezmo //

    Dates: 

    Thursday, March 28, 2019 - 19:00

    Venue: 

    Come Alone - Zografou, Athens, Greece
  • DIM Cinema: Automated Camera Motion

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    Vancouver artist Judy Radul presents Michael Snow’s Standard Time (1967) and La région centrale (1971), along with a recorded discussion between her and Snow, as part of the launch of the new location of Catriona Jeffries Gallery. Its inaugural exhibition on Cordova Street is structured as an Unexplained Parade, with each gallery artist inviting a companion artist to exhibit work. Radul’s invitation was to Snow, who has worked for decades at the leading edge of experimental film and visual art.

    Dates: 

    Wednesday, March 27, 2019 - 19:00

    Venue: 

    DIM Cinema - Vancouver, Canada
  • Close-Up: Larry Gottheim and Friends

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    In 1967, Larry Gottheim started the Cinema Department at Binghamton University which was the first regular undergraduate program that dealt with cinema as a personal art. Considering the theme of nature in art and functions of racial, cultural and personal identity, Gottheim’s practice explores the ways in which time, movement, and becoming are bound up in a complex relation between formal cinematic patterns and pro-filmic subjects.

    Dates: 

    Thursday, March 14, 2019 (All day) to Saturday, March 16, 2019 (All day)

    Venue: 

    Close-Up Cinema - London, United Kingdom
  • Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

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    The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.

    Dates: 

    Thursday, March 14, 2019 (All day) to Sunday, March 17, 2019 (All day)

    Venue: 

    Austrian Film Museum - Vienna, Austria
  • Walden presents: Colectivo Los Ingrávidos

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    Colectivo Los Ingrávidos is a collective of filmmakers and activists mainly based in and around Mexico City. Their work is characterized by both radical form work and a direct response to the political turbulence, the violence and the corruption that is a highly tangible reality in Mexican society. Mass disappearances, political and military corruption and feminine cleansing - femicide - are some subjects that the collective stays with.

    Dates: 

    Monday, March 18, 2019 - 18:30

    Venue: 

    Filmform - Stockholm, Suecia
  • Bozar & Cinema Parenthèse present: Larry Gottheim

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    Bozar and Cinema Parenthèse present two programmes with Larry Gottheim, in his presence for the first time in Belgium in 40 years. Larry Gottheim (°1936) became, together with Michael Snow and Ernie Gehr, one of the US most prominent and leading ’structural’ avant-garde filmmakers in the 1960s. From his late-1960s series of sublime 'single-shot' films to the dense sound/image constructs of the mid-1970s and after, his cinema is the cinema of presence, of observation, and of deep conscious engagement.

    Dates: 

    Monday, March 11, 2019 - 19:00

    Venue: 

  • Pugnant Film Series: Fish Your Waterprooꟻ

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    The films are windows to look at the word - sometimes are also windows for the world to look at you.
    PUGNANT FILM SERIES

    A Saturday per month
    Auteur-Underground-Dada-Bizarre-Ungenred CINEMA
    at Andora by Pugnant Film Series

    Saturday 16.03.2019 (vol.4)
    Fish Your Waterprooꟻ

    Dates: 

    Saturday, March 16, 2019 - 16:00

    Venue: 

    Cinema Andora - Athens, Greece
  • Walden presents: Jean-François Lyotard and friends

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    As one of its nodal points, this screening circulates around, or rather, emanates from the energy, theory and practice of the French philosopher Jean-François Lyotard (1924–1998). One of France's foremost theoreticians of the philosophy of art and aesthetics, Lyotard had a keen interest in cinema, and especially in experimental or underground film.

    Dates: 

    Friday, March 15, 2019 - 19:00

    Venue: 

    Fylkingen - Stockholm, Suecia
  • The Animal by Walter Ungerer

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    Vermont International Film Festival (VTIFF), in collaboration with the Vermont Archive Movie Project (VAMP), presents:
    THE ANIMAL by Walter Ungerer. 75 minutes. 1976.

    Shot in Vermont and digitally remastered by VAMP in 2018, this is the film that established Walter Ungerer as a leading experimental fiction filmmaker.
    Introduced and Q&A moderated by Steve Bissette, cartoonist and professor at The Cartoon Studies Center, White River Junction, VT, and author of Green Mountain Cinema.

    Dates: 

    Sunday, March 3, 2019 - 16:00 to 18:30

    Venue: 

    Shelburne Musem - Shelburne, United States

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