@article {expcin15988, title = {Lo sguardo espanso. Cinema d{\textquoteright}artista italiano 1912-2012}, year = {2012}, pages = {312 pp}, publisher = {Silvana Editoriale}, address = {Milan}, keywords = {Alessandro Mendini, Andrea Granchi, Angela Ricci Lucchi, Anton Giulio Bragaglia, Arcangelo Mazzoleni, Arnaldo Ginna, Bruno Munari, Carmelo Bene, Chiara Dynys, Cionicarpi, Claudio Cintoli, Daniele Puppi, Davide Mosconi, Elisabetta Benassi, Enrico Prampolini, Fabio Mauri, Fernando DeFilippi, Flatform, Fortunato Depero, Francesco Di Cocco, Franco Angeli, Gian, Gianfranco Baruchello, Gianinie Luzzati, Gianni Pettena, Giosetta Fioroni, Gruppo 70, Leonardo Carrano, Luca M. Patella, Magdalo Mussio, Marcello Piccardo, Mario Ceroli, Mario Ferrero, Mario Schifano, Michele Sambin, Mimmo Paladino, Mimmo Rotella, Nato Frasca, Paola Salerno, Paolo Gioli, Pino Pascali, Pippo Oriani, Plinio Martelli, Ra Di Martino, Roberto Lucca Taroni, Rosa Barba, Rosa Foschi, Salvatore Brancato, Silvio Loffredo, Studio Azzurro, Sylvano Bussotti, Thorsten Kirchhoff, Ugo La Pietra, Ugo Nespolo, Umberto Bignardi, Ursula Ferrara, Valentina Berardinone, Valerlo Adami, Virgilio Marchi, Vittorio Loffredo, Yervant Gianikian}, isbn = {9788836625468}, author = {Bruno Di Marino and Marco Meneguzzo and Andrea La Porta and Gina Annunziata and Rinaldo Censi and Antonio Costa and Giacomo Daniele Fragapane and Annamaria Licciardello and Sandra Lischi and Dacia Palmerino and Lisa Parolo and Andrea Piccardo and Giacomo Ravesi and Marco Senaldi} } @article {expcin15982, title = {film{\textthreesuperior} [{\textquoteleft}kju:bIk fIlm]: New Cubic Films from the Netherlands}, year = {2010}, pages = {392 pp}, publisher = {Amsterdam University Press}, address = {Amsterdam}, abstract = {

In 2004 the Filmbank and the Filmmuseum in Amsterdam published mm2: Experimental Film in the Netherlands, a survey of the classical avant-garde film in the Netherlands. Since then, the media landscape has undergone major changes, and a generation of directors offering fresh perspectives and innovative techniques has emerged. These new developments are the motivation behindfilm3. The editors bring together eleven in-depth interviews with young Dutch visual artists in which they discuss their work and motivation, examine avant-garde filmmaking in the Netherlands during the past decade, and forecast the future of the genre.

}, keywords = {Dutch Film}, isbn = {9789089641991}, author = {Anna Abrahams and Claartje Opdam and Mariska Graveland} } @book {expcin16007, title = {{\'E}crits sur l{\textquoteright}art et le cin{\'e}ma}, year = {2004}, pages = {120 pp}, publisher = {Paris exp{\'e}rimental}, organization = {Paris exp{\'e}rimental}, address = {Paris}, abstract = {

Contains the translation of "An Anagram of Ideas on Art, Form and Film" (1946) and "The creative use of Cinematography as the reality" (1960). Includes filmography \& bibliography

}, keywords = {Maya Deren}, isbn = {9782912539229}, author = {Maya Deren}, editor = {{\'E}ric Alloi and Julie Beaulieu} } @book {expcin15983, title = {mm2: Experimental Film in the Netherlands since 1960}, year = {2004}, pages = {286 pp}, publisher = {Filmbank, Uitgeverij de Balie}, organization = {Filmbank, Uitgeverij de Balie}, address = {Amsterdam}, abstract = {

mm2 presents an overall picture of experimental film in the Netherlands since 1960. Each and every film mentioned is an expression of an inquiring mentality that, for each film convention, poses the question whether or not it can be done differently. The book contains a historical review, sixteen extensive interviews with authoritative experimental filmmakers and more than a hundred filmographies. Issued with a DVD entitled "Cadavre exquis : le cadvre exquis verra le film nouveau", a documentary film directed by Anna Abrahams and produced by Rongwrong. The film includes interviews with several experimental filmmakers as well as excerpts of their work.

}, keywords = {Dutch Film}, isbn = {9789066173064}, author = {Anna Abrahams and Mariska Graveland and Peter van Hoof and Erwin van {\textquoteleft}t Hart} } @article {expcin15979, title = {Placing spaces, spacing places : Canadian experimental films \& videos since 1990}, year = {2003}, pages = {35 pp}, publisher = {Mount Saint Vincent University Art Gallery}, address = {Halifax}, abstract = {

Contents:

}, keywords = {Canadian Cinema}, isbn = {9781894518161}, author = {Gerda Cammaer and Paulette Phillips and Dennis Day and Manon Labreque and Daniel Cockburn and Gunilla Josephson and Ian Toews and Paul Landon and Michael Yaroshevsky and Barbara Sternberg and Jean Th{\'e}berge and Jason Britski and Phillip Hoffman and Michael Crocheti{\`e}re and Emanuel Avenel and Marie-France Giraudon and Nelson Henricks and Kika Thorne and John Price and Benny Nemerofsky Ramsay and Serge Cardinal and Nikki Forrest} } @article {expcin15974, title = {Independent America: New Film 1978-1988}, year = {1988}, pages = {93 pp}, publisher = {American Museum of the Moving Image}, address = {New York}, abstract = {

Catalogue for the film retrospective at the American Museum of the Moving Image, October 7-November 11, 1988

}, keywords = {American Cinema, Museum of the Moving Image}, author = {David Schwartz and Jonathan Rosenbaum and Steve Anker and Berenice Reynaud and David Schwartz} } @book {expcin15992, title = {Teorija {\v c}eske avangarde 1908-1937}, year = {1987}, pages = {86 pp}, publisher = {Institut za film}, organization = {Institut za film}, address = {Belgrade}, abstract = {

Anthology of Czech texts about avant-garde film.

}, keywords = {Czech Cinema}, url = {https://monoskop.org/images/8/82/Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf}, author = {Jaroslav Andjel and Vaclav Tile and Karel Capek and Jo{\v z}ef Capek and Franti{\v s}ek Langer and Jan Mukar{\v z}ovski and Roman Jakobson and Milo{\v s} Vajngart and Emil Franti{\v s}ek Burijan and Vladislav Vancura and Jind{\v z}ih Honzl}, editor = {Jaroslav Andjel and Ljubica Stanivuk} } @book {expcin15991, title = {The Avant-garde Film: A Reader of Theory and Criticism}, series = { Anthology film archives}, number = {3}, year = {1978}, pages = {295 pp}, publisher = {New York University Press}, organization = {New York University Press}, address = {New York}, abstract = {

This anthology is both a history of the avant-garde film genre and a compendium of theories of cinema articulated by major filmmakers. The 33 selections include several previously unpublished theoretical and critical articles and many articles that were especially translated into English for this collection. Other selections were drawn from interviews and from lectures contained in the Anthology Film Archives.

}, keywords = {Andy Warhol, Anthony McCall, Antonin Artaud, Ernie Gehr, Germaine Dulac, Hans Richter, Harry Smith, Hollis Frampton, James Broughton, James Whitney, Jean Epstein, John Whitney, Jonas Mekas, Joseph Cornell, Maya Deren, Michael Snow, Paul Sharits, Peter Kubelka, Sergei Eisenstein, Sidney Peterson, Stan Brakhage, Tony Conrad}, isbn = {9780814777930}, author = {P.Adams Sitney and Sergei Eisenstein and Hans Richter and Jean Epstein and Germaine Dulac and Antonin Artaud and Joseph Cornell and Maya Deren and Sidney Peterson and James Broughton and John Whitney and James Whitney and Harry Smith and Carel Rowe and Stan Brakhage and Peter Kubelka and Stephen Koch and Annette Michelson and Michael Snow and Jonas Mekas and Ernie Gehr and Anthony McCall and Paul Sharits and Tony Conrad and Hollis Frampton} } @book {expcin16009, title = {Experiment in the Film}, year = {1949}, pages = {312 pp}, publisher = {Grey Walls Press}, organization = {Grey Walls Press}, address = {London}, keywords = {Abel Gance, Alexandre Alexeieff, American Cinema, Austrian Cinema, Basil Wright, British Cinema, Carl Dreyer, Cavalcanti, Chester Kessler, David Lean, Ernoe Metzner, Fernand L{\'e}ger, French Cinema, Germaine Dulac, German Cinema, Grahame Tharp, Hans Richter, Jacques Pr{\'e}vert, James Broughton, Jean Epstein, Jean Painlev{\'e}, Jean Renoir, Jean Vigo, Len Lye, Lewis Jacobs, Louis Delluc, Louis Feuillade, Lu{\'\i}s Bu{\~n}uel, Marcel L{\textquoteright}herbier, Maya Deren, Melville Webber, Oskar Fischinger, Paul Rotha, Percy Smith, Pierre Pr{\'e}vert, Ralph Steiner, Ren{\'e} Clair, Robert Florey, Russian Cinema, Sara Arledge, Scientific Cinema, Sidney Peterson, Slavko Vorkapich, Walther Ruttmann}, url = {https://archive.org/details/experimentinfilm00unse}, author = {Jacques B. Brunius and Lewis Jacobs and Grigori Roshal and Roman Karmen and Ernst Iros and Hans Richter and Edgar Anstey and John Maddison}, editor = {Roger Manvell} }