Etiquetas: Scott MacDonald

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Found Footage Magazine issue #9

By Marcos Ortega on Lun, 02/10/2023 - 11:39
Table of Contents:
Categoría:
Lanzamientos
Found Footage Magazine issue #7

By Marcos Ortega on Mar, 13/04/2021 - 10:00
Found Footage Magazine issue #7: Special on Christoph Girardet & Matthias Müller

Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Varied metaphors and modes of inquiry have been used to analyze their oeuvre: to some, Girardet and Müller provide a “suggestive continuum,” exposing the patterns of light and darkness, absence and presence, by which cinema operates; to others, the filmmakers dissect the body of film history and of the cinematic apparatus, suggesting the moving image as a corporeal grouping of skin, guts, brains, and bones to pick apart.
Categoría:
Lanzamientos
The Sublimity of Document: Cinema as Diorama
The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.
Valoración:

Promedio: 3 (2 votos)
Categoría:
Libros
Editor:
Oxford University Press
The Flaherty: Decades in the Cause of Independent Cinema
This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Indiana University Press
Close-Up Cinema: George Kuchar-Weather Diaries + Greetings from Boulder

By Marcos Ortega on Mar, 14/02/2017 - 15:09

We're thrilled to present a rare screening of the visual diaries of the renowned American independent filmmaker George Kuchar, bringing together his series of films known as the Weather Diaries for the first time in the UK. Greetings from Boulder, an earlier tape from one of Kuchar’s reflective vacations in Colorado, will also be screened alongside the Diaries. The programme will be introduced via Skype by Professor Scott MacDonald, one of the leading academics in the field of experimental film.
Fechas:
Sábado, Febrero 18, 2017 - 14:30
Local:
Close-Up Cinema - London, Reino Unido
Gustav Deutsch: Not Home. Picturing the Foreign Films 1990-2015
Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.
Valoración:

Promedio: 3.4 (15 votos)
Categoría:
DVD
Editor:
Index DVD
Carolee Schneemann: Unforgivable
The most thorough visual overview of the work of groundbreaking and celebrated feminist artist Carolee Schneemann. Her prestigious career spans seven decades and encompasses the diverse artistic media of painting, sculpture, performance, film and video.
Valoración:

Promedio: 3.8 (5 votos)
Categoría:
Libros
Editor:
Black Dog Publishing
John Porter's CineScenes: Documentary Portraits of Alternative Film Scenes, Toronto and Beyond, 1978-2015
John Porter’s CineScenes is the first volume to spotlight Toronto native John Porter’s legendary photographs of alternative film culture – its “celebrities,” places, and rituals – taken across a span of nearly 40 years. This soft-cover, 144-page book features over 200 beautifully reproduced b&w and colour photos by Porter, and includes essays by Scott MacDonald, Nicole Gingras, Dot Tuer, and Tess Takahashi.

Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
the 8 fest
Binghamton Babylon: Voices from the Cinema Department, 1967-1977
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
Valoración:

Promedio: 3 (2 votos)
Categoría:
Libros
Editor:
SUNY press
Avant-Doc: Intersections of Documentary and Avant-Garde Cinema
Scott MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.

Valoración:

Promedio: 3.5 (2 votos)
Categoría:
Libros
Editor:
Oxford University Press