Etiquetas: Mary Ellen Bute

Contenido etiquetado

  • Silent Avant-Garde

    Silent Avant-Garde offers an essential collection of 21 short art film experiments in high-definition from 5K scans made of 35mm and 16mm picture elements. Highlights include brand new digital restorations of classic experimental films, The Enchanted City (1922), Return to Reason (1923), Ballet Mechanique (1924, 1931), The Twenty-Four Dollar Island (1925), Eisenstein Mexican Footage (1930), Escape, Synchromy No. 4 (1938), The Eclipse (1936-1949), Look Park (1973), and Tenga fe (2022).

    Valoración: 

    Promedio: 1 (1 voto)

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  • Go go go! Women in Experimental Animation: The Crafty Animator

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    On July 11th Bristol Cube will screen the final in the BEEF organised Go go go: Women in Experimental Animation series. There's a line up of great films, plus guest speaker Caroline Ruddell, co editor of 'The Crafty Animator: Handmade Craft-based Animation and Cultural Value', will introduce the screening!

    The films within this programme deploy modes of humour, irony, absurdity, the grotesque, mystery, beauty and defiance where qualities of shape, colour, texture, light, materiality and movement and questions of process itself are given priority.

    Fechas: 

    De Jueves, Julio 11, 2019 - 20:00 hasta Viernes, Julio 12, 2019 - 19:55

    Local: 

    The Cube Cinema - Bristol, Reino Unido

  • Radicales libres: Mary Ellen Bute

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    courtesy Center for Visual Music

    Sesión de cortometrajes de animación de Mary Ellen Bute, pionera de la animación experimental. Sus obras, que exploran la relación entre imagen abstracta y música, se utilizaron como cabecera en algunos de los más prestigiosos cines de Estados Unidos, como el mítico Radio City Music Hall.

    Programa en 16mm del Center for Visual Music.

    Programa:

    Fechas: 

    De Sábado, Mayo 25, 2019 - 20:00 hasta Domingo, Mayo 26, 2019 - 19:55

    Local: 

    Filmoteca Española - Cine Doré - Madrid, España

  • Visual Music 1947-1986 from the CVM Archive

    Visual Music from the CVM Archive, 1947-1986

    Thirteen rare films featuring pre-computer abstraction, using a variety of techniques including early oscilloscope experiments, color organs, hand-drawn sound, animation drawn directly on film, painted scrolls, and optical printing. Films from the archive of Center for Visual Music.

    Valoración: 

    Promedio: 4 (7 votos)

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  • Xcèntric: Derivas geométricas

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    Calculated Movements (Larry Cuba, 1985)

    Un programa de proyecciones en paralelo a la exposición “La máquina de pensar. Ramon Llull y el «ars combinatoria»”

    Antes de que los artistas trabajasen con ordenadores, una serie de pintores de vanguardia, como Oskar Fischinger, Harry Smith y Jordan Belson, crearon un cine no narrativo que tenía en cuenta la geometría, las posibilidades de combinaciones matemáticas y también la espiritualidad. Tras estos visionarios, otros artistas como John Whitney abrazaron el nuevo medio de la imagen sintética para seguir indagando en la animación abstracta. Muchos otros autores y autoras han seguido su estela hasta nuestros días.

    Fechas: 

    De Jueves, Diciembre 1, 2016 - 20:00 hasta Viernes, Diciembre 2, 2016 - 19:55

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Masterworks of American Avant-Garde Experimental Film 1920-1970

    Flicker Alley and the Blackhawk Films® Collection, in collaboration with Filmmakers Showcase, are proud to present Masterworks of American Avant-garde Experimental Film 1920-1970 in a 4-disc Blu-ray/DVD Combo Edition. This breathtaking collection includes 30 films, restored to pristine high-definition, from some of the foremost experimental filmmakers of the 20th century.

    Commencing in 1920 with Charles Sheeler and Paul Strand’s creative collaboration on Manhatta, successive generations of experimental filmmakers and artists have worked in collaboration or alone to create a cinema capable of expressing dynamic unspoken concepts in totally abstract visual terms.

    Valoración: 

    Promedio: 3.8 (8 votos)

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  • Unseen Cinema - Early American Avant Garde Film 1894-1941

    Unseen Cinema: Early American Avant-Garde Film 1893-1941 premieres a comprehensive 20-program retrospective of the pre-Maya Deren inspired avant-garde film movement in America. Over 160 films in newly preserved and restored 35mm and 16mm film prints survey the hitherto unknown accomplishments of pioneer filmmakers working in the United States and abroad during the formative period of American film. The series postulates an innovative and often controversial view of experimental cinema as a product of avant-garde artists, of Hollywood directors, and of amateur movie-makers working collectively and as individuals at all levels of film production during the last decade of the 19th century and the first half of the 20th century.

    Valoración: 

    Promedio: 3.6 (10 votos)

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  • Avant-Garde 3: Experimental Cinema 1922-1954

    From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.

    Valoración: 

    Promedio: 3.1 (14 votos)

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    Editor: 

  • Essential Visual Music: Rare Classics

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    Essential Visual Music: Rare Classics
    September 1 2009, 19:30 - 21:30
    Pacific Film Archive
    2575 Bancroft Way
    Berkeley, CA

    This evening features a range of works, from 1920s German film experiments to light show psychedelia, and highlights the evolving technology and artistic sophistication of visual music and experimental animation. Several of the works in the show were designed to be used in performance contexts, light shows and other expanded forms of cinema, often with independent musical accompaniment. Accordingly, one of the themes that emerges from this program is a dialogue between structure and spontaneity in visual music.

    Many of the prints in this show represent recent preservation work by CVM. Includes films by Oskar Fischinger (incl. William Moritz's 35mm Cinemascope R-1 recreation version), Charles Dockum (3 new preservation prints!), Mary Ellen Bute, Jules Engel (3 new preservation prints), John Stehura, David Lebrun, and Sixties Light Show films by Jud Yalkut/USCO and The Single Wing Turquoise Bird Light Show film. Curated by CVM.

    Categoría: 

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Ted Nemeth Dudley Murphy James Sibley Watson Norman McLaren Oskar Fischinger

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