Using footage from filmmaker Maya Deren's avant-garde films of the 1940s, including the seminal Meshes of the Afternoon (1942) , At Land (1943) , and Ritual in Transfigured Time (1948) ; archival audio interviews and observances from contemporaries such as Stan Brakhage, Amos Vogel, and Jonas Mekas, the documentary provides a glimpse into the mind and life of this groundbreaking and influential artist.

Deemed "Fellini and Bergman wrapped in one gloriously possessed body," Maya Deren is arguably the most important and innovative avant-garde filmmaker in the history of American cinema. Using locations from the Hollywood hills to Haiti in the 1940s and ’50s, Deren made such mesmerizing films as AT LAND, RITUAL IN TRANSFIGURED TIME, and her masterpiece, MESHES OF THE AFTERNOON, which won a prestigious international experimental filmmaking prize at the 1947 Cannes Film Festival. Starting with excerpts from these films, IN THE MIRROR seamlessly and effectively interweaves archival footage and observances from acolytes and contemporaries such as Stan Brakhage and Jonas Mekas with an original score by experimental jazz legend John Zorn. Documentarian Martina Kudlácek has fashioned not only a fascinating portrait of a groundbreaking and influential artist, but a pitch-perfect introduction to her strikingly beautiful and poetic body of work. This Edition features the extremely Maya Deren "fragments" WITCH’S CRADLE (1943), starring Marcel Duchamp, and ENSEMBLE FOR SOMNAMBULISTS (1951).