If it can be said that experimental filmmakers are "expanding" the artistic field through an exploration of the potencies, modes of dissemination, or even performance of the moving image, in the Anthropocene age, these practices hope for another kind of expansion: to expand our experience of nature.
Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.
This beautiful and mysterious book whose unedited pages contain a collection of letters that the famous brothers Jonas and Adolfas Mekas sent from America to Semeniškiai village, Biržai district, Lithuanian Soviet Socialist Republic. They were all addressed to the most important addressee of their lives – their mother, Elzbieta Mekienė.
Found Footage Magazine is proud to present Found Footage & Collage Films: Selected Works, edited and introduced by César Ustarroz. For enthusiasts of avant-garde cinema, this deluxe limited edition of sixteen short films provides a vivid account of various creative processes in the recycling of images in experimental moving image art. Found Footage & Collage Films: Selected Works comes complete with a book filled with analysis and insights of the selected films.
Michael Betancourt is a Glitch Art pioneer who began manipulating digital errors in 1990. This collection surveys his HD movies. These movies have shown in film festivals, art fairs, and galleries internationally, influencing the use of glitches in popular culture (such as in the title sequence to Amazon's sci-fi program The Expanse). Going Somewhere is frequently breathtakingly beautiful.... In Betancourt’s hands, datamoshing becomes a form of cultural resistance.
Nathaniel Dorsky y Jerome Hiler se conocieron en 1964, en el estreno de la primera película de Dorsky, Ingreen. Este encuentro marcó el inicio de una vida en común, así como una serie de intensos intercambios creativos, que continúan hoy en día. Tras la primera trilogía de películas sonoras realizadas en su adolescencia, Dorsky comenzó a explorar las posibilidades del cine silente, así como la forma poética del llamado «montaje polivalente».
DVD with 6 films by the German artist Dore O. Nekes
Being located in the “antechamber of language, even of consciousness,” her newly restored films occupy a state of in-betweenness that cannot be easily interpreted nor approached verbally. Their associative stream of images and sounds acts as a deliberation on their sensuality. In a dream-like density and strange suspension of time, O.’s films induce a heightened sense of perception between hypnosis and clarity-Masha Matzke
Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.
Table of Contents
An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.
Yann Beauvais (born 1953 in France), as a teacher in United States, became conscious of the need to lead a "cultural battle".
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