Catalogue

  • Warsztat Formy Filmowej / Workshop of the Film Form

    Warsztat Formy Filmowej is a Polish-English publication edited by Marika Kuźmicz and Łukasz Ronduda.

    The book is a compilation of the achievements of Warsztat Formy Filmowej, which was an avant-garde group operating at the Film School in Łódź (PWSFTviT im. L. Schillera) between 1970 and 1977.

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    Average: 5 (1 vote)

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    79 PLN

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  • Cuaderno de los sesenta. Escritos 1958-2010

    «Me gustan las cosas que están fuera de control. En cierto punto, el artista se pondrá firme, detendrá al medio y lo domesticará, utilizándolo para cultivar los campos de su propia imaginación. Pero, por el momento, el toro corre a su antojo. (…) Las corrientes que avanzan entre nosotros y que los artistas externalizan han madurado, contienen múltiples impulsos y brotan efusivamente, de forma incontrolable y hasta ahora desconocida. Hasta los artistas de vanguardia, sentados junto al público, se sorprenden y repiten: “¿Qué demonios está pasando?”

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    28 EUR

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  • The Flaherty: Decades in the Cause of Independent Cinema

    This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history.

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    41 USD

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  • Experiments in Cinema 12.3 DVD Collection

    The artists included on these discs have donated their work to EIC. Experiments in Cinema is a volunteer-run festival so all proceeds from sales go directly into ensuring the continuation of EIC. Be the first on your block to collect the whole set of DVDs!

    Disc 1:

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    50 USD

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  • Stan Brakhage the realm buster

    Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception.

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    Average: 5 (2 votes)

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    26,48 GBP

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  • Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)

    Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

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    Average: 3.9 (12 votes)

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    24 EUR

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  • Dietmar Brehm - Praxis Selection

    Dietmar Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. He could be seen as the representative of a telephone-game art movement: His work is post avant-garde, post-narrative, post-surreal, post-pornographic and post-psychoanalytic; it appears like an extra entry in the annals of a long since shelved cultural history, like a last ditch effort of art after the end of time. - (Stefan Grissemann)

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    Average: 5 (1 vote)

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    28,80 EUR

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  • El cine como arte subversivo

    Film as a Subversive Art, del curador y crítico de cine Amos Vogel. Originalmente publicada en 1974, se trata de una obra fundamental en la historia del cine, donde el autor lleva a cabo una revisión histórica del séptimo arte a la luz del concepto de subversión.

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    300 MXN

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  • Futurist Cinema. Studies on Italian Avant-garde Film

    Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world.

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    Average: 4.5 (2 votes)

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    89 EUR

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  • I had nowhere to go

    Jonas Mekas has worked together with Andy Warhol, George Maciunas, John Lennon, and many others. In New York he was an influential figure in the New American Cinema, although he came to film-making relatively late. In 1944 Mekas and his younger brother Adolfas had to flee from the Nazis for copying leaflets. They were interned for eight months in a labour camp in Elmshorn.

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    Average: 5 (1 vote)

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    22 EUR

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