Slow Writing is a collection of articles by Thom Andersen that reflect on the avant-garde, Hollywood feature films, and contemporary cinema. His critiques of artists and filmmakers as diverse as Yasujirō Ozu, Nicholas Ray, Andy Warhol, and Christian Marclay locate their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape. The city of Los Angeles and its relationship to film is a recurrent theme.
Best rated publications according to the votes of the website's visitors.
- 20 GBP
Este libro analiza las formas audiovisuales experimentales que han tenido presencia desde la segunda mitad del siglo XX en Chile. Trata de cine y video experimental, incluyendo nociones como las de video-arte, cine-expandido, video de artista, video-instalación, video-creación, documental experimental o ensayo audiovisual. Estas prácticas los autores las piensan en conjunto, no como algo pretérito, sino como un presente activo inscrito en una genealogía histórica. Visiones Laterales.
SPECTRES OF THE SPECTRUM plunders Baldwin\'s treasure trove of early television shows, industrial and educational films, Hollywood movies, advertisements and cartoons, combining these with live-action footage, no-budget special effects, and relentless nar
Criterion is proud to present 26 masterworks by Stan Brakhage in high-definition digital transfers made from newly minted film elements. For the first time on DVD, viewers will be able to look at Brakhage’s meticulously crafted frames one by one.
In addition to the selection released on VHS in 1996 this DVD contains rarely seen experimental work from the 1970s and a slideshow of storyboards and commentary on A LITTLE ROUTINE. Holding more than 2 hours of indexed material GRIFFITI is an ideal tool
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate d“Bonnie & Clyde meet Bruno Dumont in a sensually explosive road trip through the USA.” – CPH:DOX Festival, Copenhagen, 2008
The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)
The Loop Collective is a group of independent media artists formed in 1996 to develop a public platform integrating experimental film and video with other art forms. We program and produce works for presentation through exhibitions and events in both traditional and non-traditional spaces. Our mission is to explore the roots of experimental film and video by creating a dialogue with other art media. We strive to promote experimental film and video for critical engagement by cultivating relations among different artistic communities. The Loop Collective has presented gallery installations, screenings, and artist talks by renowned figures including Michael Snow, Chris Welsby, Christian Lebrat, Carolee Schneemann, and Jósef Robakowski. Programmes of films by Loop members have screened at venues including The National Film Board of Canada (Toronto), Cinema Parallele (Montreal), Winnipeg Cinematheque, NASCAD (Halifax), Club SAW (Ottawa), The Factory (Hamilton), Leeds International Film Festival (United Kingdom), and the 2010 Canadian Retrospective at EXiS Festival, (Diagonal Film Archive, Seoul).
Rewind: Artists video in the 70s and 80s derives from a four-year research project into the history of an art form that has become the hallmark of contemporary art. Based on an archive of interviews, ephemera and archive copies of tapes and installations from the pioneering period of British video art, this anthology brings together some of the leading scholars in the field, backed by an expert panel, to lay the groundwork for a history of the people, activities, institutions and interventions that made of video art the one true avant-garde in the United Kingdom in the 20th century. Rewind is the founding text for the history of British video art; draws on a unique archive of oral history and personal experience; and opens up the archive for contemporary artists, curators, media historians and archivists.
This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
Herbert’s text provides an incisive overview of Smith’s work over the past four decades while Christie examines Smith’s oeuvre within the context of English eccentricity. Meyer’s essay discusses Smith’s film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smith’s Gargantuan.