@article {expcin15987, title = {Expanded Cinema 2. Immersions: Towards the Tactile Cinema / Расширенное кино 2}, year = {2012}, pages = {148 pp}, publisher = {MediaArtLab}, address = {Moscow}, abstract = {

Published by MediaArtLab Centre for Art and Culture for the exhibition "The Immersions. Towards the Tactile Cinema", Ekaterina Cultural Foundation, Moscow, June, 23 {\textemdash} August, 19 2012
Curated by Olga Shishko

}, keywords = {Expanded cinema, Olga Shishko}, url = {http://web.archive.org/web/20130820201602/http://www.mediaartlab.ru/books/mf2012_web.pdf}, author = {Alina Streltsova and Olga Shishko and Chris Hales and Roman Putyatin and Pia Tikka and VALIE EXPORT and Kent Long and Piotr Krajewski and Tom Kohut} } @article {expcin15988, title = {Lo sguardo espanso. Cinema d{\textquoteright}artista italiano 1912-2012}, year = {2012}, pages = {312 pp}, publisher = {Silvana Editoriale}, address = {Milan}, keywords = {Alessandro Mendini, Andrea Granchi, Angela Ricci Lucchi, Anton Giulio Bragaglia, Arcangelo Mazzoleni, Arnaldo Ginna, Bruno Munari, Carmelo Bene, Chiara Dynys, Cionicarpi, Claudio Cintoli, Daniele Puppi, Davide Mosconi, Elisabetta Benassi, Enrico Prampolini, Fabio Mauri, Fernando DeFilippi, Flatform, Fortunato Depero, Francesco Di Cocco, Franco Angeli, Gian, Gianfranco Baruchello, Gianinie Luzzati, Gianni Pettena, Giosetta Fioroni, Gruppo 70, Leonardo Carrano, Luca M. Patella, Magdalo Mussio, Marcello Piccardo, Mario Ceroli, Mario Ferrero, Mario Schifano, Michele Sambin, Mimmo Paladino, Mimmo Rotella, Nato Frasca, Paola Salerno, Paolo Gioli, Pino Pascali, Pippo Oriani, Plinio Martelli, Ra Di Martino, Roberto Lucca Taroni, Rosa Barba, Rosa Foschi, Salvatore Brancato, Silvio Loffredo, Studio Azzurro, Sylvano Bussotti, Thorsten Kirchhoff, Ugo La Pietra, Ugo Nespolo, Umberto Bignardi, Ursula Ferrara, Valentina Berardinone, Valerlo Adami, Virgilio Marchi, Vittorio Loffredo, Yervant Gianikian}, isbn = {9788836625468}, author = {Bruno Di Marino and Marco Meneguzzo and Andrea La Porta and Gina Annunziata and Rinaldo Censi and Antonio Costa and Giacomo Daniele Fragapane and Annamaria Licciardello and Sandra Lischi and Dacia Palmerino and Lisa Parolo and Andrea Piccardo and Giacomo Ravesi and Marco Senaldi} } @article {expcin15989, title = {You Killed Me First: The Cinema of Transgression}, year = {2012}, pages = {175 pp}, publisher = {KW Institute of Contemporary Art/Walther Konig}, address = {Berlin}, abstract = {

Basically, in one sentence, give us the definition of the {\textquoteleft}Cinema of Transgression{\textquoteright}.{\textquotedblright} Nick Zedd: {\textquotedblleft}Fuck you.{\textquotedblright}

Nightmarish scenarios of violence, dramatic states of mind, and perverse sexual abysses {\textendash} the films of the Cinema of Transgression that were consciously aimed at shock, provocation, and confrontation, bear witness to an extraordinary radicality. In the 1980s a group of filmmakers from the Lower East Side in New York went on a collision course with the conventions of American society. Transcending all moral or aesthetic boundaries, the low budget films reveal social hardship met with sociopolitical indifference. Sometimes shot with stolen camera equipment, the films contain strident analyses of life in the Lower East Side defined by criminality, brutality, drugs, AIDS, sex, and excess.\ 

Published to accompany the exhibition You Killed Me First held at KW Institute of Contemporary Art, Berlin, 19th Feb.-9th Apr., 2012.

}, keywords = {Casandra Stark, Cinema of Transgression, David Wojnarowicz, Karen Finley, Kembra Pfahler, Lung Leg, Lydia Lunch, Nick Zedd, Richard Kern, Tessa Hughes-Freeland, Tommy Turner}, isbn = {9783863351571}, url = {http://monoskop.org/log/?p=9962}, author = {Susanne Pfeffer and Sylv{\`e}re Lotringer and Carlo McCormick and Jonas Mekas and Jack Sargeant and Nick Zedd} } @article {expcin15984, title = {As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s}, year = {2010}, pages = {259 pp}, publisher = {Museum of Modern Art Warsaw}, address = {Warsaw}, abstract = {

In the late 1960s and {\textquoteright}70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. The book follows the show "As Soon As I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s", Museum of Modern Art in Warsaw, April 24-June 22 2008.

}, keywords = {Antifilm, Yugoslavian Cinema}, isbn = {9788392404439}, author = {Ana Janevski and Stevan Vukovi{\'c} and {\L}ukasz Ronduda and Goran Trbuljak and Hrvoje Turkovi{\'c} and Mihovil Pansini and Slobodan {\v S}ijan and {\v Z}elimir {\v Z}ilnik and Branko Vu{\v c}i{\v c}evi{\'c} and P.Adams Sitney} } @article {expcin15985, title = {This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991}, year = {2010}, pages = {154 pp}, publisher = {Museum of Modern Art Ljubljana}, address = {Ljubljana}, abstract = {

On the occasion of the exhibtion at the Moderna galerija, Museum of Modern Art, Ljubljana, 22. 12. 2010-28. 2. 2011

}, keywords = {Yugoslavian Cinema}, isbn = {9789612060909}, author = {Bojana Pi{\v s}kur and Tamara Soban and Ana Janevski and Jurij Meden and Miha Pe{\v c}e and Stevan Vukovi{\'c}} } @book {expcin15997, title = {Experimental Film and Video: An Anthology}, year = {2006}, pages = {302 pp}, publisher = {John Libbey Publishing}, organization = {John Libbey Publishing}, address = {Eastleigh}, abstract = {

The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970s and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. Along with an introduction by Jackie Hatfield and forewords by Sean Cubitt and Al Rees, this illustrated anthology includes interviews and recent essays by filmmakers, video artists, and pioneers of interactive cinema. Experimental Film and Video opens up the conceptual avenues for future practice and related critical writing.

}, keywords = {Andrew K{\~o}tting, Anthony McCall, Brad Butler, Catherine Elwes, Chantal Akerman, Chris Meigh-Andrews, Chris Welsby, Daniel Reeves, David Critchley, David Hall, David Larcher, George Barber, Grahame Weinbren, Guy Sherwin, Jackie Hatfield, Jayne Parker, Jeremy Welsh, Jo Ann Millet, John Smith, Karen Mirza, Katherine Meynell, Kayla Parker, Lis Rhodes, Malcolm Le Grice, Mike Leggett, Nicky Hamlyn, Nina Danino, Peter Gidal, Rob Gawthrop, Sarah Pucill, Stephen Hawley, Stephen Littman, Stephen Partridge, Tamara Krikorian, texts by artists, Tina Keane, Tony Sinden, Vicky Smith, William Raban}, isbn = {978-0-86196-906-7}, author = {Susanna Poole and Gareth Evans and Stephen Littman and Grahame Weinbren and Peter Gidal and Chris Welsby and Nicky Hamlyn and Jayne Parker and Rob Gawthrop and Anthony McCall and Lis Rhodes and Sarah Pucill and Nina Danino and Katherine Meynell and David Critchley and Chris Meigh-Andrews and Andrew K{\~o}tting and Daniel Reeves and Vicky Smith and Karen Mirza and Brad Butler and Stephen Partridge and Catherine Elwes and Malcolm Le Grice and Mike Leggett}, editor = {Jackie Hatfield} } @article {expcin15979, title = {Placing spaces, spacing places : Canadian experimental films \& videos since 1990}, year = {2003}, pages = {35 pp}, publisher = {Mount Saint Vincent University Art Gallery}, address = {Halifax}, abstract = {

Contents:

}, keywords = {Canadian Cinema}, isbn = {9781894518161}, author = {Gerda Cammaer and Paulette Phillips and Dennis Day and Manon Labreque and Daniel Cockburn and Gunilla Josephson and Ian Toews and Paul Landon and Michael Yaroshevsky and Barbara Sternberg and Jean Th{\'e}berge and Jason Britski and Phillip Hoffman and Michael Crocheti{\`e}re and Emanuel Avenel and Marie-France Giraudon and Nelson Henricks and Kika Thorne and John Price and Benny Nemerofsky Ramsay and Serge Cardinal and Nikki Forrest} } @article {expcin15976, title = {Articulated Light: The Emergence of Abstract Film in America}, year = {1995}, pages = {16 pp}, publisher = {Harvard Film Archive \& Anthology Film Archives}, address = {Boston}, keywords = {abstract film, Anthology Film Archives, Harvard Film Archive}, url = {http://monoskop.org/log/?p=10155}, author = {Bruce Posner and Gerald O{\textquoteright}Grady} } @book {expcin15993, title = {F.I.L.M. A magyar avantgarde film t{\"o}rt{\'e}nete {\'e}s dokumentumai}, year = {1991}, pages = {351 pp}, publisher = {Jelenkor}, organization = {Jelenkor}, address = {Budapest}, keywords = {Hungarian Cinema}, isbn = {9789633365519}, url = {http://catalog.c3.hu/mediatortenet/PDF/FILM.pdf}, editor = {Mikl{\'o}s Petern{\'a}k} } @book {expcin16112, title = {Das Experimentalfilm-Handbuch}, series = {Schriftenreihe des Deutschen Filmmuseums Frankfurt}, year = {1989}, pages = {385 pp}, publisher = {Deutsches Filminstitut}, organization = {Deutsches Filminstitut}, address = {Frankfurt am Main}, abstract = {

Informatives Nachschlagewerk {\"u}ber ein Genre am Rande der {\"o}ffentlichen Wahrnehmung. F{\"u}r Organisatoren, Praktiker, Theoretiker und Interessierte.

}, issn = {9783887990336}, editor = {Ingo Petzke} } @article {expcin16103, title = {Andere Avant Garde: Brucknerhaus Linz, Festival 16.9.-20.9.1983, Ausstellung 16.9.-7.10.1983}, year = {1983}, pages = {181 pp}, publisher = {Druck- und Verlagsanstalt Gutenberg}, address = {Linz}, url = {http://kok.memoryoftheworld.org/$\#$text=Avangardni+film\&property=title\&librarian=Kenneth+Jungius}, author = {Claudia Preschl and Andrea Stadlmayr and Sabrina Unger} } @article {expcin15971, title = {Film/m{\H u}v{\'e}szet (a magyar k{\'\i}s{\'e}rleti film t{\"o}rt{\'e}nete)}, year = {1983}, pages = {56 pp}, publisher = {Budapest Gal{\'e}ria}, address = {Budapest}, abstract = {

Catalogue for the exhibition held at the Budapest History Museum (February 25-March 18, 1983). Both the catalogue and the exhibition were put together by Mikl{\'o}s Petern{\'a}k.

}, keywords = {Hungarian Cinema}, url = {http://catalog.c3.hu/mediatortenet/PDF/FILMMUVESZET_WEB.pdf}, author = {Mikl{\'o}s Petern{\'a}k} } @book {bonet1983practica, title = {Pr{\'a}ctica f{\'\i}lmica y vanguardia art{\'\i}stica en Espa{\~n}a, 1925-1981}, year = {1983}, pages = {108 pp}, publisher = {Universidad Complutense de Madrid}, organization = {Universidad Complutense de Madrid}, address = {Madrid}, keywords = {Iv{\'a}n Zulueta, Javier Aguirre, Jos{\'e} Antonio Sistiaga, Jos{\'e} Val del Omar, Pere Portabella, Spanish Cinema}, issn = {84-7491-059-5}, url = {http://e-archivo.uc3m.es/bitstream/handle/10016/11433/Practica\%20filmica.pdf}, author = {Manuel Palacio and Eugeni Bonet} } @book {expcin15991, title = {The Avant-garde Film: A Reader of Theory and Criticism}, series = { Anthology film archives}, number = {3}, year = {1978}, pages = {295 pp}, publisher = {New York University Press}, organization = {New York University Press}, address = {New York}, abstract = {

This anthology is both a history of the avant-garde film genre and a compendium of theories of cinema articulated by major filmmakers. The 33 selections include several previously unpublished theoretical and critical articles and many articles that were especially translated into English for this collection. Other selections were drawn from interviews and from lectures contained in the Anthology Film Archives.

}, keywords = {Andy Warhol, Anthony McCall, Antonin Artaud, Ernie Gehr, Germaine Dulac, Hans Richter, Harry Smith, Hollis Frampton, James Broughton, James Whitney, Jean Epstein, John Whitney, Jonas Mekas, Joseph Cornell, Maya Deren, Michael Snow, Paul Sharits, Peter Kubelka, Sergei Eisenstein, Sidney Peterson, Stan Brakhage, Tony Conrad}, isbn = {9780814777930}, author = {P.Adams Sitney and Sergei Eisenstein and Hans Richter and Jean Epstein and Germaine Dulac and Antonin Artaud and Joseph Cornell and Maya Deren and Sidney Peterson and James Broughton and John Whitney and James Whitney and Harry Smith and Carel Rowe and Stan Brakhage and Peter Kubelka and Stephen Koch and Annette Michelson and Michael Snow and Jonas Mekas and Ernie Gehr and Anthony McCall and Paul Sharits and Tony Conrad and Hollis Frampton} } @book {expcin16021, title = {Cinema now 1: Perspectives on American underground film: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek}, year = {1968}, pages = {28 pp}, publisher = {University of Cincinnati}, organization = {University of Cincinnati}, address = {Cincinnati}, abstract = {

Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.

}, keywords = {American Cinema, John Cage, Jonas Mekas, Stan Brakhage, Stan VanDerBeek}, author = {Stan Brakhage and Jonas Mekas and John Cage and Stan VanDerBeek}, editor = {Hector Currie and Michael Porte} }