@article {expcin15987, title = {Expanded Cinema 2. Immersions: Towards the Tactile Cinema / Расширенное кино 2}, year = {2012}, pages = {148 pp}, publisher = {MediaArtLab}, address = {Moscow}, abstract = {

Published by MediaArtLab Centre for Art and Culture for the exhibition "The Immersions. Towards the Tactile Cinema", Ekaterina Cultural Foundation, Moscow, June, 23 {\textemdash} August, 19 2012
Curated by Olga Shishko

}, keywords = {Expanded cinema, Olga Shishko}, url = {http://web.archive.org/web/20130820201602/http://www.mediaartlab.ru/books/mf2012_web.pdf}, author = {Alina Streltsova and Olga Shishko and Chris Hales and Roman Putyatin and Pia Tikka and VALIE EXPORT and Kent Long and Piotr Krajewski and Tom Kohut} } @article {expcin15981, title = {Zelluloid: Film ohne Kamera = cameraless film}, year = {2010}, pages = {190 pp}, publisher = {Schirn Kunsthalle}, address = {Frankfurt}, abstract = {

"Zelluloid" is dedicated to a particular genre of artistic film, in which the image is generated directly, by physically processing the film strip. Unlike other forms of experimental film, the film material is interpreted as if it were a canvas by using a diverse range of artistic processes: through painting, drawing, collage on the celluloid, scores and scratches in the photographic emulsion, chemical manipulation or the direct lighting of photo-sensitive media. Such were the origins of the cinematic avant-garde, which researches even the material nature of the medium of film and at the same time sounds out its relationship with the visual arts and also with music in ever-changing approaches. The exhibition catalogue contains outstanding examples of "films without a camera" and features approximately 20 international artists and filmmakers from the 1930s to the present day.

Exhibition: Schirn Kunsthalle, Frankfurt (2.06 - 29.08.2010).

Artists featured in the exhibiton: Stan Brakhage, Tony Conrad, Cécile Fontaine, Amy Granat, Ian Helliwell, Hy Hirsh, Takahiko Iimura, Emmanuel Lefrant, Len Lye, Norman McLaren, Bärbel Neubauer, Luis Recoder, Jennifer Reeves, Dieter Roth, Pierre Rovère, Schmelzdahin, José Antonio Sistiaga, Harry Smith, Aldo Tambellini, Marcelle Thirache, Jennifer West.

}, keywords = {Aldo Tambellini, Amy Granat, Bärbel Neubauer, cameraless film, Cécile Fontaine, Dieter Roth, Emmanuel Lefrant, Harry Smith, Hy Hirsh, Ian Helliwell, Jennifer Reeves, Jennifer West, Jos{\'e} Antonio Sistiaga, Len Lye, Luis Recoder, Marcelle Thirache, Norman McLaren, Pierre Rovère, Schmelzdahin, Stan Brakhage, Takahiko Iimura, Tony Conrad}, isbn = {9783866783959}, url = {https://monoskop.org/images/d/dd/Schlicht_Esther_Hollein_Max_eds_Zelluloid_Camera_Less_Film_Film_ohne_Kamera.pdf}, author = {Esther Schlicht and Max Hollein} } @book {expcin15997, title = {Experimental Film and Video: An Anthology}, year = {2006}, pages = {302 pp}, publisher = {John Libbey Publishing}, organization = {John Libbey Publishing}, address = {Eastleigh}, abstract = {

The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970s and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. Along with an introduction by Jackie Hatfield and forewords by Sean Cubitt and Al Rees, this illustrated anthology includes interviews and recent essays by filmmakers, video artists, and pioneers of interactive cinema. Experimental Film and Video opens up the conceptual avenues for future practice and related critical writing.

}, keywords = {Andrew K{\~o}tting, Anthony McCall, Brad Butler, Catherine Elwes, Chantal Akerman, Chris Meigh-Andrews, Chris Welsby, Daniel Reeves, David Critchley, David Hall, David Larcher, George Barber, Grahame Weinbren, Guy Sherwin, Jackie Hatfield, Jayne Parker, Jeremy Welsh, Jo Ann Millet, John Smith, Karen Mirza, Katherine Meynell, Kayla Parker, Lis Rhodes, Malcolm Le Grice, Mike Leggett, Nicky Hamlyn, Nina Danino, Peter Gidal, Rob Gawthrop, Sarah Pucill, Stephen Hawley, Stephen Littman, Stephen Partridge, Tamara Krikorian, texts by artists, Tina Keane, Tony Sinden, Vicky Smith, William Raban}, isbn = {978-0-86196-906-7}, author = {Susanna Poole and Gareth Evans and Stephen Littman and Grahame Weinbren and Peter Gidal and Chris Welsby and Nicky Hamlyn and Jayne Parker and Rob Gawthrop and Anthony McCall and Lis Rhodes and Sarah Pucill and Nina Danino and Katherine Meynell and David Critchley and Chris Meigh-Andrews and Andrew K{\~o}tting and Daniel Reeves and Vicky Smith and Karen Mirza and Brad Butler and Stephen Partridge and Catherine Elwes and Malcolm Le Grice and Mike Leggett}, editor = {Jackie Hatfield} } @article {expcin15979, title = {Placing spaces, spacing places : Canadian experimental films \& videos since 1990}, year = {2003}, pages = {35 pp}, publisher = {Mount Saint Vincent University Art Gallery}, address = {Halifax}, abstract = {

Contents:

}, keywords = {Canadian Cinema}, isbn = {9781894518161}, author = {Gerda Cammaer and Paulette Phillips and Dennis Day and Manon Labreque and Daniel Cockburn and Gunilla Josephson and Ian Toews and Paul Landon and Michael Yaroshevsky and Barbara Sternberg and Jean Th{\'e}berge and Jason Britski and Phillip Hoffman and Michael Crocheti{\`e}re and Emanuel Avenel and Marie-France Giraudon and Nelson Henricks and Kika Thorne and John Price and Benny Nemerofsky Ramsay and Serge Cardinal and Nikki Forrest} } @book {expcin15994, title = {Experimental Cinema: The Film Reader}, year = {2002}, pages = {356 pp}, publisher = {Routledge}, organization = {Routledge}, address = {New York/London}, abstract = {

Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.

}, keywords = {Agn{\`e}s Varda, Andy Warhol, Barbara Hammer, Black cinema, Carolee Schneemann, Chantal Akerman, Female cinema, Gay cinema, Germaine Dulac, Hollis Frampton, Jack Smith, Kenneth Anger, Maya Deren, Michael Snow, Stan Brakhage, Su Friedrich, Trinh T. Minh-ha, Warren Sonbert, Yoko Ono}, isbn = {9780415277877}, author = {Jan-Christopher Horak and Jonas Mekas and Lauren Rabinovitz and Agn{\`e}s Varda and Juan Antonio Su{\'a}rez and Suranjan Ganguly and Jerry Tartaglia and Kate Haug and Reva Wolf and Daryl Chin and Yoko Ono and P.Adams Sitney and Scott MacDonald and Philip Lopate and David Ehrenstein and Peter Gidal and Chris Holmlund and Gloria J. Gibson and Kobena Mercer}, editor = {Wheeler Winston-Dixon and Gwendolyn Audrey Foster} } @book {expcin15992, title = {Teorija {\v c}eske avangarde 1908-1937}, year = {1987}, pages = {86 pp}, publisher = {Institut za film}, organization = {Institut za film}, address = {Belgrade}, abstract = {

Anthology of Czech texts about avant-garde film.

}, keywords = {Czech Cinema}, url = {https://monoskop.org/images/8/82/Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf}, author = {Jaroslav Andjel and Vaclav Tile and Karel Capek and Jo{\v z}ef Capek and Franti{\v s}ek Langer and Jan Mukar{\v z}ovski and Roman Jakobson and Milo{\v s} Vajngart and Emil Franti{\v s}ek Burijan and Vladislav Vancura and Jind{\v z}ih Honzl}, editor = {Jaroslav Andjel and Ljubica Stanivuk} } @book {expcin15972, title = {Paris vu par le cin{\'e}ma d{\textquoteright}avant-garde: 1923-1983}, year = {1985}, pages = {128 pp}, publisher = {Paris exp{\'e}rimental}, organization = {Paris exp{\'e}rimental}, address = {Paris}, abstract = {

Published on the occasion of the retrospective held at the Mus{\'e}e national d{\textquoteright}art moderne, Centre Georges Pompidou (November 14-December 15, 1985)

}, keywords = {French Cinema, Paris}, isbn = {9782950063502}, author = {Prosper Hillairet and Christian Lebrat and Patrice Rollet} } @book {expcin16102, title = {Languages of Revolt: Dada and Surrealist Literature and Film}, year = {1983}, pages = {166 pp}, publisher = {Duke University Press}, organization = {Duke University Press}, address = {Durham, North Carolina}, keywords = {Dada, Surrealism}, isbn = {9780822304937}, author = {Inez Hedges} } @article {expcin15908, title = {Film as Film: Formal Experiment in Film 1910-1975}, year = {1979}, pages = {152 pp}, publisher = {Arts Council of Great Britain}, address = {London}, abstract = {

Catalogue for an exhibition held at Hayward Gallery, London, in May-June 1979, derived from a project originally conceived by Birgit Hein and Wulf Herzogenrath and shown at the Kunstverein in Cologne in the previous year.

With texts by Phillip Drummond, A.L. Rees, Birgit Hein, Wulf Herzogenrath, Malcolm Le Grice, Ian Christie, Peter Weibel, Deke Dusinberre and William Moritz.

}, keywords = {Experimental film history}, isbn = {0728702002}, url = {http://monoskop.org/log/?p=10154}, author = {Birgit Hein and A. L. Rees and Deke Dusinberre and Ian Christie and Malcolm Le Grice and Peter Weibel and Phillip Drummond and William Moritz and Wulf Herzogenrath}, editor = {David Curtis and Richard Francis} } @article {expcin15909, title = {Film als Film: 1910 bis heute}, year = {1977}, pages = {300 pp}, publisher = {Gerd Hatje Verlag, K{\"o}lnischer Kunstverein \& Museum Folkwang}, address = {Stuttgart}, abstract = {

Comprehensive catalogue/book by Birgit Hein and Wulf Herzogenrath of works by the main avant-garde filmmakers in Eastern and Western Europe, North America and Britain. Includes full notes on the films, historical essays on areas and movements {\textendash} Polish, French, British, Fluxus, West Coast, New York underground, Structural-Materialist, Expanded, etc.

}, keywords = {Experimental film history}, isbn = {9783775701259}, author = {Birgit Hein and Wulf Herzogenrath} } @book {expcin16087, title = {{\v C}esk{\'a} avantgarda a film}, year = {1976}, pages = {207 pp}, publisher = {{\v C}s. filmov{\'y} {\'u}stav}, organization = {{\v C}s. filmov{\'y} {\'u}stav}, address = {Prague}, keywords = {Czech Cinema}, author = {Viktoria Hradsk{\'a}} } @book {expcin15990, title = {Structural Film Anthology}, year = {1976}, pages = {144 pp}, publisher = {British Film Institute}, organization = {British Film Institute}, address = {London}, abstract = {

{\textquotedblleft}This anthology of texts about what have been termed Structural Films attempts to bring together some of the more important essays and articles on those films which have formed the core of film work in this field since its inception. It is a first attempt to bring together texts from Europe, Britain and the United States. In the past we have been inundated with the parochial, American view of avant-garde film work, as expounded on both sides of the Atlantic. This anthology was published to coincide with the series of eighteen programmes, Structural Film Retrospective, at the National Film Theatre, London, in May 1976.

As it happened, no film-maker was included in the programmes who had not produced relevant work before 1971, though many works were from after that year. No new films were introduced; this was a retrospective programme intended to enable a viewing that saw each film in the context of each other film, that could recognise alliances and misalliances between films, that could attempt to deal with the individual filmworks and the critical practice which preceded or followed.

In some cases, the critical practice here is a virtually complete repression through ideology of the text of the film; in the gaps presented work can now take place. The lengths of the sections are dictated by the materials of interest available, and unfortunately in a few cases only very slight material existed. I hope that the selection will not offend; the younger Americans have been left out, as have many of the younger British, because of the wish for a solid retrospective programme as elucidated above. No doubt there are quite a few film-makers completely unknown to me, and to nearly everyone else, who have done and may be doing very important work, and whose work remains {\textquoteleft}out of view{\textquoteright} for a variety of sociological reasons, none of which are praiseworthy. I wish to thank all the film-makers and writers, obviously.

For this reprint nothing has been changed, though a few minor errors have been corrected and Ben Brewster{\textquoteright}s review of the Anthology inScreen has been included as an afterward. I call attention to the {\textquoteleft}Theory and Definition of Structural/Materialist Film{\textquoteright} article in its original form in Studio International (November 1975), and to Deke Dusinberre{\textquoteright}s article relating to it in Screen (Summer 1977). P.G., January 1978" (Introduction)

}, keywords = {Birgit Hein, David Crosswaite, Fred Drummond, George Landow, Gill Eatherley, Hollis Frampton, John Du Cane, Joyce Wieland, Ken Jacobs, Kurt Kren, Malcolm Le Grice, materialist film, Michael Snow, Mike Dunford, Mike Leggett, Paul Sharits, Peter Gidal, Peter Kubelka, Roger Hammond, structural film, Tony Conrad, Wilhelm Hein, William Raban}, isbn = {9780851700533}, url = {http://monoskop.org/log/?p=2612}, author = {Peter Gidal and Malcolm Le Grice and Michael Snow and Hollis Frampton and Mike Dunford and Paul Sharits and Jonas Mekas and Birgit Hein and Gill Eatherley and George Landow and Fred Camper and William Raban and Fred Drummond and David Curtis and Ben Brewster and John Du Cane and Regina Cornwell and Gordon Gow and Simon Hartog and Annette Michelson and Lois Mendelson and Verina Glaessner} } @book {expcin16038, title = {Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino}, year = {1971}, pages = {239 pp}, publisher = {Ullstein}, organization = {Ullstein}, address = {Frankfurt/Berlin/Vienna}, keywords = {Andy Warhol, Bruce Baillie, Bruce Conner, Ed Emshwiller, Expanded cinema, Experimental film history, George Kuchar, Gergory Markopoulos, Harry Smith, Jack Smith, James Whitney, John Whitney Jr., Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Knokke Experimental Film Festival, Mike Kuchar, Robert Breer, Robert Nelson, Ron Rice, Stan Brakhage, Stan VanDerBeek}, issn = {9783548028170}, author = {Birgit Hein} }